Maybe it’ll all be a dream. Not the comic but me having spent the time reading it. Actually, that dismissal is a little unfair; I want to keep going with Terminal Hero, just to see if writer Peter Milligan ever finds anything original to say.
He has some hints of personality when the protagonist is discovering his bad self (versus his good, pure self). There’s also some decent dialogue.
There’s also a lot of scenes out of “ordinary man gets extraordinary powers” pop culture familiars, like Hollow Man and The Fly most obviously. There are probably more. Milligan isn’t trying hard at all.
Even though it’s a Dynamite comic, it feels a lot like a nineties Vertigo comic. Something forgettable or failed; given the protagonist’s telekinetic control over matter and his flaming hair, I wonder if it was supposed to be a Vertigo Firestorm relaunch.
Piotr Kowalski’s art’s nice enough.
C
CREDITS
No More Trouble; writer, Peter Milligan; artist, Piotr Kowalski; colorist, Kelly Fitzpatrick; letterer, Simon Bowland; editors, Molly Mahan, Hannah Elder and Joseph Rybandt; publisher, Dynamite Entertainment.
What just happened here? In this comic book running approximately twenty-two pages? Nothing, not a dang thing. Unless a couple unsubstantial characters are actually going to be the protagonists of the comic, which seems difficult since they seem to be living in different time periods.
Again, not having seen the new Robocop movie, it’s hard to say who’s responsible for the nonsense of To Live and Die in Detroit. It could be writer Joe Harris. He certainly does write some terrible exposition about the Motor City and juxtaposes it against the lame action and activities of Robocop. Robocop, it turns out, is an asshat by the way. But did the editors make him an asshat or did the liaison at the license holder?