Detective Comics (1937) #789

Detective Comics  789

So Batman finds this rock Indiana Jones once lost and it turns you into a violent superman. While under its influence, he kills a helicopter pilot who’s being held hostage.

Bolles is such a crappy writer, he doesn’t even seem to acknowledge it once the helicopter explodes. Moments later, Batman has the good old “no, I’m not a killer” thing and saves the bad guy. That poor helicopter pilot’s corpse is, in the meantime, burning.

And then there’s the finish. Batman commits the mastermind to Arkham. Why? Well, she’s bad. Can he prove she’s bad? No, not at all. Bolles might be a moronic writer–with some of the worst exposition in a comic ever–but the editors okayed this crap.

The backup, about Batman’s costume manufacturer, is dumb too. A.J. Lieberman’s script starts decently, but once he gets to the plot it all goes to pot.

Awful comic.

Detective Comics 789 (February 2004)

148817So Batman finds this rock Indiana Jones once lost and it turns you into a violent superman. While under its influence, he kills a helicopter pilot who’s being held hostage.

Bolles is such a crappy writer, he doesn’t even seem to acknowledge it once the helicopter explodes. Moments later, Batman has the good old “no, I’m not a killer” thing and saves the bad guy. That poor helicopter pilot’s corpse is, in the meantime, burning.

And then there’s the finish. Batman commits the mastermind to Arkham. Why? Well, she’s bad. Can he prove she’s bad? No, not at all. Bolles might be a moronic writer–with some of the worst exposition in a comic ever–but the editors okayed this crap.

The backup, about Batman’s costume manufacturer, is dumb too. A.J. Lieberman’s script starts decently, but once he gets to the plot it all goes to pot.

Awful comic.

CREDITS

The Randori Stone, Part Two; writer, Paul Bolles; penciller, Mike Lilly; inker, Dan Davis; colorist, Jason Wright; editors, Michael Wright and Bob Schreck. The Tailor, Part One; writer, A.J. Lieberman; penciller, Jean-Jacques Dzialowski; inker, Dan Green; colorist, Giulia Brusco; editors, Nachie Castro and Matt Idelson. Letterer, Clem Robins; publisher, DC Comics.

Detective Comics (1937) #788

Detective Comics  788

This issue doesn’t just have bad writing. Bad writing the art and pacing could probably surmount. Mike Lilly’s pencils aren’t the greatest, but Sean Parsons and Dan Davis give them a nice inking and it all moves pretty well visually.

But Paul Bolles’s script? It’s exceptionally incompetent. He writes all this third person narration, very hard-boiled (at least as he’s concerned) and it makes Batman laughable. Maybe because Bolles buys into the faceless avenging night demon thing, or at least excepts the reader to buy into it.

And for what? Some Blockbuster on the rampage story not even starring Blockbuster.

I had never heard of Bolles before reading this comic; I’m hoping I never do again.

Sadly, not even Rick Spears and Rob G.’s backup can cleanse the palate. It’s predictable–though Spears writes a good Joker–and disappointing. But far better than the incompetent feature, of course.

Detective Comics 788 (January 2004)

148816This issue doesn’t just have bad writing. Bad writing the art and pacing could probably surmount. Mike Lilly’s pencils aren’t the greatest, but Sean Parsons and Dan Davis give them a nice inking and it all moves pretty well visually.

But Paul Bolles’s script? It’s exceptionally incompetent. He writes all this third person narration, very hard-boiled (at least as he’s concerned) and it makes Batman laughable. Maybe because Bolles buys into the faceless avenging night demon thing, or at least excepts the reader to buy into it.

And for what? Some Blockbuster on the rampage story not even starring Blockbuster.

I had never heard of Bolles before reading this comic; I’m hoping I never do again.

Sadly, not even Rick Spears and Rob G.’s backup can cleanse the palate. It’s predictable–though Spears writes a good Joker–and disappointing. But far better than the incompetent feature, of course.

CREDITS

The Randori Stone, Part One; writer, Paul Bolles; penciller, Mike Lilly; inkers, Sean Parsons and Dan Davis; colorist, Jason Wright; letterer, Clem Robins; editors, Michael Wright and Bob Schreck. The Dogcatcher, Part Four; writer, Rick Spears; artist, Rob G.; colorist, Guy Major; letterer, Janice Chiang; editors, Nachie Castro and Matt Idelson. Publisher, DC Comics.