Doctor Who (2005) s01e11 – Boom Town

This episode is easily writer Russell T. Davies’s best so far. Maybe it helps he’s got Joe Ahearne directing, who’s even able to weather the Noel Clarke storm.

Though it’s a new Noel Clarke. A moody one who’s not hanging on Billie Piper’s every word hoping for a kiss. In fact, they suggest a physical intimacy foreign to their relationship.

But it’s not about Clarke and Piper, it’s about surviving Raxacoricofallapatorian villain (Annette Badland) from a two-parter about five episodes ago. Badland survived Christopher Eccleston taking out her fellow villains and set herself up as Cardiff mayor. Cardiff, once again getting crap from the show….

Anyway, she’s trying to get a nuclear power plant built for some reason and local reporter Mali Harries is suspicious. Well, more Harries notices anyone who opposes Badland ends up decapitated. Because Badland’s still doing her giant baby doll head alien monster eating the human thing. Cardiff’s not super busy apparently.

Eccleston, Piper, and John Barrowman are in town to “gas up” on Cardiff’s inter-dimensional rift (discovered in another episode this season) and Piper calls Clarke, then Eccleston notices Badland in a local paper and tracks her down. So it goes from a very odd—Clarke’s dynamic with Eccleston and Piper plus Barrowman—vacation day in Cardiff to something of a psychological showdown between Eccleston and Badland. Because long portions of the episode are the two facing off about morality and whatnot.

Badland was a farty joke in the previous episodes, so it’s a big surprise she’s absolutely phenomenal this time. There aren’t as many fart jokes this episode—there might not even be any (there are a few gassy jokes). But Badland’s awesome. Makes the episode.

Meanwhile, Clarke’s pissy about being Piper’s booty call or something.

Eccleston and Piper also discover the words “Bad Wolf” have been following them through the season, which is some hammer to the skull foreshadowing.

The ending’s a little too deus ex machina but it’s also at least thoughtfully resolved. And the show promises, once again, Clarke is gone for good this time. I’d say good riddance but I don’t believe he won’t be back next episode.

Doctor Who (2005) s01e05 – World War Three

Digital video in the mid-aughts was still very rough. Around the time World War Three came out, some of the best DV cinematography wasn’t being done in film or television but in art and technical schools, as creatives were figuring out how to best light for the medium.

In other words, I understand why cinematographer Ernest Vincze shoots such an ugly hour of television. I don’t understand Keith Boak’s direction. Like, seriously, an out of focus foreground or background character in crappy DV… But I do get Vincze’s limitations.

The episode is full of them. The aliens go from disquieting giant suits to terrible CGI. You can even see the models reused in different effects shots. Vincze doesn’t even have the budget—or, let’s just say it, ability—to light the composites well. World War Three takes a big swing and a big miss as far as the visuals.

The story’s not much better. Christopher Eccleston resolves the previous episode’s cliffhanger quite perfunctorily and then there’s a lot of chasing—there are aliens chasing Eccleston, aliens chasing Bille Piper and Penelope Wilton (who almost makes the episode worth it), and aliens chasing Piper’s mum, Camille Coduri. Sadly, Coduri teams up with Noel Clarke and they work remotely to help Eccleston save the world.

Coduri’s not great. Her character’s bad but she’s also not great. Clarke’s real bad. So having Coduri around him the whole episode doesn’t help. Though the terrible subplot about Coduri wanting Eccleston to assure her Piper is safe as his companion is all on Coduri. And writer Russell T. Davies. It’s not quite a “Martha” moment but it’s in the same vending machine. Davies’s resolution to the dilemma is an eye roller.

The episode hinges on various deuses ex machina to get to its conclusion, which is sort of an extension of the first episode. It’s kind of a real stinker, thanks primarily to Boak and Clarke; Corduri is collateral damage.

The ending, which resets the stakes to where they were before the two-parter with a little change—oh, also—we find out Piper’s phone accepts incoming calls, which means the entirely twelve months she was missing, neither Corduri or Clarke tried calling her. Like… what.

Anyway. The ending threatens to make things worse, then returns them to the status quo.

I really hope Boak takes next episode off. I can’t handle any more Boak right now.

Doctor Who (2005) s01e04 – Aliens of London

Director Keith Boak is back and it’s obvious from go some of the problem with Boak-directed episodes is Boak’s a bad director. Some of the problems are budgetary, but Boak and cinematographer Ernest Vincze even make the non-effects stuff look like bad digital video. There’s an anti-suspense suspense sequence involving sympathetic coroner Naoko Mori, who finds herself trapped in the morgue with an alien. Vincze throws all these goofy lights at her to cover for Boak’s complete inability to direct the sequence.

The episode starts with Christoper Eccleston bringing Billie Piper back to “the present” (meaning Piper’s present) so she can check in with mum Camille Coduri. We immediately discover last episode wasn’t a fluke and Eccleston really can’t control when the TARDIS jumps in time. Later in the episode he does a fairly precise teleportation, so the problem seems to be fourth dimensional, not first through third. It’s kind of obnoxious watching them goof off with the absurdly silly navigation system on the TARDIS—has it been updated since 1963. Is it a series trope? Like the Enterprise crew “spinning” 360 degrees?

Eccleston gets Piper home a year late, after Coduri has given up hope for her safe return and after Piper’s boyfriend, the just-as-charmless-as-last-time Noel Clarke, has been a suspect in her disappearance. Cue drama. Cue more drama once Coduri finds out about Eccleston.

But Piper and Coduri having a showdown isn’t the episode, the episode is an alien spacecraft crash-landing into the Thames. The government response involves a missing Prime Minister, an inquisitive Penelope Wilton (who makes the episode given how bad everything else works), and a flatulent replacement PM, David Verrey. In fact, most of the melodrama hinges on… fart jokes. Lots and lots of fart jokes.

Really bad CG aliens eventually show up and everyone’s in danger. Cue cliffhanger.

It’s occasionally well-acted and Wilton’s a delight, but the bad direction and photography, Clarke being an energy vampire, and so on….

It’s needlessly tiring.

Doctor Who (2005) s01e01 – Rose

I am not a “Doctor Who” person. I’ve known some “Doctor Who” people, I count good friends as “Doctor Who” people. But there’s no way to talk about this show without prefacing with… I don’t get it. I still don’t get it. It’s like you have to be a certain kind of anglophile. What’s the Venn diagram on “Monty Python” and “Doctor Who”? Then with Quatermass and Hammer.

And this viewing is my second attempt to watch “Doctor Who (2005)” or whatever it’s official designation versus the old “Doctor Who.”

The first time was in 2005, when we were seeing television’s successful mainstreaming of season-long story arcs with “Lost,” “Veronica Mars,” “Battlestar Galactica,” and “The Shield.” Basic cable and UPN, oh my. So an awesome new “Doctor Who” was just what, ahem, the Doctor ordered. Do people make Who puns? Is the title itself just a pun? There’s fifty-seven years of “Who” lore. I couldn’t keep track of it as a kid just hearing about the show much less watching it.

This episode is full of puns. It’s full of puns, terrible editing (Mike Jones), and directing (Keith Boak). I remembered where I stopped watching the episode the first time I tried, which was already a significant ask for me because I’m a hard pass on Christopher Eccleston. I think I would’ve tried “Who” after 28 Days Later so I never would’ve been more positive on Eccleston. That oversized jacket thing didn’t age well.

Eccleston’s comic timing is better than sidekick Billie Piper—who’s either going to become Eccleston’s familiar or companion or something; the Doctor’s always got a Watson, or so I remember thinking in my youth (based on second-hand information).

The episode’s about plastic coming to life and trying to take over the planet. It’s more complicated, but basically there are these mannequins chasing and attacking Piper and Eccleston. They look like those B.O.B. dummies. It’d be disquieting if Boak’s direction weren’t bad or if the tone weren’t kind of silly. Campy. Is it supposed to feel campy? But, like, that British campy.

What’s the Venn on “Who” and Benny Hill, or “Who” and “Mr Bean.”

But apparently there’s going to be great acting on this show in later seasons from different actors so I need to stay positive.

Noel Clarke plays Piper’s boyfriend. He’s annoying. Piper’s writing is really thin in what’s essentially a scream queen part so far. Camille Coduri (who’s familiar because she was in two movies I saw when I was twelve, apparently) is okay as Piper’s mom. Not great writing but Coduri’s good. Mark Benton’s great as an in-world “Doctor Who” fanboy.

Also… are the special effects supposed to be bad? 2005 it could’ve been either way. But this episode multiple times feels like a lower rent Terminator 2 just fourteen years of technology later. Like, are they supposed to be silly?

The show’s perplexing.