Tomb Raider 1 (February 2014)

297094 20140227154909 largeThank goodness Gail Simone has Lara Croft say “mates” and use kilometers instead of miles. Wouldn’t want to forget she’s British. Or something. Those little details, along with the forced exposition, drag the reader out of what’s already a chore.

Why would Dark Horse bother licensing Tomb Raider if they were just going to give it to artists who can’t draw action? The inks don’t seem to do much, they certainly don’t lend any motion to Nicolás Daniel Selma’s lead-footed pencils. There are motion lines. Maybe inker Juan Gedeon added them, thinking they were enough. They aren’t.

Having never played the game, I’m not sure if Simone’s script is meant to appeal to fans or to general readers. If it’s the latter, the comic’s in real trouble. There’s only one scene where the character shows any natural personality and it’s forced (she’s encountering sexism).

At least it reads fast.

F 

CREDITS

Season of the Witch; writer, Gail Simone; penciller, Nicolás Daniel Selma; inker, Juan Gedeon; colorist, Michael Atiyeh; letterer, Michael Heisler; editors, Shantel LaRocque, Ian Tucker, Aaron Walker and Dave Marshall; publisher, Dark Horse Comics.

S.H.O.O.T. First 1 (October 2013)

21354I guess S.H.O.O.T. First is supposed to be controversial. The tag line is atheists versus angels, only the angels are these inter-dimensional bad guys who come to Earth and feed off people’s belief in them.

Writer Justin Aclin explains the situation over and over again. As usual for one of these type comics, the first issue starts with a new team member joining. The reader will get to see this world fresh through his eyes in coming issues.

Yawn.

Aclin isn’t even particularly funny with his observations on faith. He should at least be funny; otherwise it seems like Dark Horse is trying to sell the most impossible movie license ever.

Artist Nicolás Daniel Selma isn’t quite ready for prime time yet. His figures are too blocky, which makes it hard to lose track of their appearance and pay attention.

At best, it’s meager stuff.

CREDITS

The Bottle Jinn; writer, Justin Aclin; artist, Nicolás Daniel Selma; colorist, Marlac; letterer, Amanda Aguilar Selma; editors, Ian Tucker, Aaron Walker and Dave Marshall; publisher, Dark Horse Comics.