Thank goodness Gail Simone has Lara Croft say “mates” and use kilometers instead of miles. Wouldn’t want to forget she’s British. Or something. Those little details, along with the forced exposition, drag the reader out of what’s already a chore.
Why would Dark Horse bother licensing Tomb Raider if they were just going to give it to artists who can’t draw action? The inks don’t seem to do much, they certainly don’t lend any motion to Nicolás Daniel Selma’s lead-footed pencils. There are motion lines. Maybe inker Juan Gedeon added them, thinking they were enough. They aren’t.
Having never played the game, I’m not sure if Simone’s script is meant to appeal to fans or to general readers. If it’s the latter, the comic’s in real trouble. There’s only one scene where the character shows any natural personality and it’s forced (she’s encountering sexism).
At least it reads fast.
Season of the Witch; writer, Gail Simone; penciller, Nicolás Daniel Selma; inker, Juan Gedeon; colorist, Michael Atiyeh; letterer, Michael Heisler; editors, Shantel LaRocque, Ian Tucker, Aaron Walker and Dave Marshall; publisher, Dark Horse Comics.
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