Ka-Zar the Savage (1981) #29

Ka Zar the Savage  29 crop

Carlin’s not doing much to make Ka-Zar his own. He follows the existing template well–down to Shanna’s step-daughter being emotionally affecting from her first panel–and it feels like a good impression of Bruce Jones.

Except Carlin doesn’t spend a lot of time on his protagonists’ emotions. He doesn’t keep their self-reflections going throughout the issue, instead using them episodically. It’s not a bad approach, it just gives the narrative a staggered feel.

To be fair, Carlin does get a lot done. He probably has enough content in the issue it’d run six “decompressed.” Ka-Zar and Shanna have a wedding and even get married, along with fighting a demonic bad guy and saving some people. Throw in another five or six pages of villain scenes and you’ve got a packed issue.

Frenz does fine fitting it all in. Even if his pencils aren’t beautiful or even ambitious.

Ka-Zar the Savage 29 (December 1983)

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Carlin’s not doing much to make Ka-Zar his own. He follows the existing template well–down to Shanna’s step-daughter being emotionally affecting from her first panel–and it feels like a good impression of Bruce Jones.

Except Carlin doesn’t spend a lot of time on his protagonists’ emotions. He doesn’t keep their self-reflections going throughout the issue, instead using them episodically. It’s not a bad approach, it just gives the narrative a staggered feel.

To be fair, Carlin does get a lot done. He probably has enough content in the issue it’d run six “decompressed.” Ka-Zar and Shanna have a wedding and even get married, along with fighting a demonic bad guy and saving some people. Throw in another five or six pages of villain scenes and you’ve got a packed issue.

Frenz does fine fitting it all in. Even if his pencils aren’t beautiful or even ambitious.

Ka-Zar the Savage (1981) #28

Ka Zar the Savage  1981  28

Mike Carlin takes over the writing reins and does a fine job. He handles Shanna’s personal crisis well, though he doesn’t stick with it as long as Jones would have. And Carlin’s Ka-Zar is a far more assured protagonist than Jones’s. It might help this issue’s Ka-Zar has been maturing the last twenty-seven issues.

Another Mike–Mignola–inks Gil this issue and the result is mixed. Mignola sharpens Gil’s pencils, giving them a good amount of shadow, but he also removes some of the life. Ka-Zar looks boring, even though it’s full of action.

Carlin’s big problem is tying everything together, something Jones had to leave the Savage Land to avoid. This issue seems to kick off a longer arc where the entire Savage Land cast reunites, including the bad guys.

It’s a good comic book, but I’m a little wary without Jones at the helm.

Ka-Zar the Savage 28 (October 1983)

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Mike Carlin takes over the writing reins and does a fine job. He handles Shanna’s personal crisis well, though he doesn’t stick with it as long as Jones would have. And Carlin’s Ka-Zar is a far more assured protagonist than Jones’s. It might help this issue’s Ka-Zar has been maturing the last twenty-seven issues.

Another Mike–Mignola–inks Gil this issue and the result is mixed. Mignola sharpens Gil’s pencils, giving them a good amount of shadow, but he also removes some of the life. Ka-Zar looks boring, even though it’s full of action.

Carlin’s big problem is tying everything together, something Jones had to leave the Savage Land to avoid. This issue seems to kick off a longer arc where the entire Savage Land cast reunites, including the bad guys.

It’s a good comic book, but I’m a little wary without Jones at the helm.

The Thing (1983) #30

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Where to start? The Beyonder is suicidal this issue, which is pretty stupid. The Thing is some kind of pro-superhero wrestler, which is also pretty stupid. What else….

No, those two pretty much cover the big stupid parts. Then there’s the wrestling politics, the promotors trying to make it in that hard world, which isn’t so much stupid as dated.

But, I suppose an issue about the Thing becoming a homicidal maniac is probably going to have a lot of problems.

I was a little surprised when the issue didn’t waver at that issue. The Thing does beat the Beyonder to death (only to discover the Beyonder can’t die). The love interest tries to stop the Thing but she doesn’t. Instead, he “murders” someone and still gets the girl.

The moral of the story appears to be to use your fists whenever possible. And to drink lots of Heineken.