Tag Archives: Megan Ward

Trancers III (1992, C. Courtney Joyner)

There’s a certain exhaustion about Trancers III. Director Joyner doesn’t have much chemistry with star Tim Thomerson, leading to way too much time spent on the evil super-soldiers. This Trancers sequel, in addition to a really lame Terminator 2 vibe with a novelty android, is all about explaining the origins of Trancers. But not in an interesting way, but a really boring one.

Thomerson and Helen Hunt, on the rocks since the previous sequel, get one scene together. Hunt has two scenes (one on the phone with Thomerson) but only the one actual scene. She tries really hard, but there’s no way to make anything out of it. Joyner is awkward at integrating information from the previous movies, which means dialogue problems, and he’s bad at directing the actors trying to articulate that dialogue.

It should be sad, seeing the heart of the franchise fizzle out, but it’s not because by the time Hunt and Thomerson have their moment, Trancers III is already in the dumps. It starts in the dumps, what with the secret military experiment laboratory underneath a strip club. Actually, maybe Trancers III starting with that tell tale sign of trouble–a “theme by” music credit, which means the filmmakers weren’t able to bring back the original series composer–it lowers expectations. Then there’s a dumb TV commercial with Thomerson advertising his PI business (a Robocop nod) before he disappears, except a weak voice over. Joyner doesn’t know how to make Thomerson fun. It’s not a question of trying to make him funny, it’s about making Trancers and Thomerson fun. Joyner fails at it.

Real quick–Andrew Robinson. Robinson’s the evil mad scientist, only he’s a macho army guy mad scientist, which should be funny. It’s not. Maybe if Adolfo Bartoli were a better photographer, the bad sets would look better but he isn’t. And Robinson’s performance suffers. He’s going crazy–his accent goes from country to Scottish and back again–it just doesn’t amount to anything.

Melanie Smith is okay as Thomerson’s new sidekick, but not really any good. She’s okay for the Trancers III regular cast, who are mostly bad. Decent cameo from Stephen Macht though and it’s fun to see Telma Hopkins. Megan Ward’s bad, unfortunately. Not really her fault, but she’s still bad.

There’s no reason for a Trancers III, so if you’re going to make one, don’t make it lame. There’s just no reason to make such a lame Trancers movie. It wastes Thomerson, it wastes Hunt, it wastes Robinson.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by C. Courtney Joyner; screenplay by Joyner, based on characters created by Danny Bilson and Paul De Meo; director of photography, Adolfo Bartoli; edited by Lauren A. Schaffer and Margeret-Anne Smith; music by Richard Band, Phil Davies and Mark Ryder; production designer, Milo; produced by Albert Band; released by Paramount Home Video.

Starring Tim Thomerson (Jack Deth), Helen Hunt (Lena), Megan Ward (Alice Stillwell), Melanie Smith (R.J.), Andrew Robinson (Col. Daddy Muthuh), Tony Pierce (Jason), Stephen Macht (Harris) and Telma Hopkins (Cmdr. Raines).


RELATED

Advertisements

Trancers II (1991, Charles Band)

Without its cast, Trancers II couldn’t possibly succeed. It’s an unfortunately limited success as is, but without everyone’s enthusiasm–regardless whether they have a good role or not–the film just couldn’t work. There’s a whole bunch of charm to Trancers II, but only the cast is actually able to deliver on any of its potential.

Jackson Barr’s screenplay, for example, is pretty solid. It’s not great, but it gives all the characters something to do–well, most of them. It’s director Band who screws up the execution of it; all of the film, he goes between this boring close-up one shots on each actor. It’s not editors Andy Horvitch and Ted Nicolaou’s faults, it’s pretty obvious there’s just not the coverage. And it sucks because there’s a lot of good work and even more potential to Trancers II.

I mean, for a very cheap, awkwardly (in terms of acknowledging it) campy, sci-fi thriller, it’s got a lot of potential. Certainly for better parts for its cast, who do a lot with often very little. Tim Thomerson, Helen Hunt and Biff Manard are all good. Manard’s performance suffers because of Band’s direction. Thomerson and Hunt run into the limits of Barr’s screenplay–and how Band directs those scenes–but they’re good. Richard Lynch is good as the bad guy. Alyson Croft is good as future cop Thomerson’s partner’s teenage ancestor. Megan Ward is all right as Thomerson’s future wife (Hunt being his modern day wife). She tries. She doesn’t get the support she needs from Band, but Ward does try.

Phil Davies and Mark Ryder’s music is occasionally good, occasionally bad, often mediocre. But there are some definitely high points. Bland photography from Adolfo Bartoli doesn’t help matters. Not to mention Band wasting Jeffrey Combs.

Trancers II is this odd but great concept poorly executed.

1/4

CREDITS

Produced and directed by Charles Band; screenplay by Jackson Barr, based on a story by Barr and Band and characters created by Danny Bilson and Paul De Meo; director of photography, Adolfo Bartoli; edited by Andy Horvitch and Ted Nicolaou; music by Phil Davies and Mark Ryder; production designer, Kathleen Coates; released by Paramount Home Video.

Starring Tim Thomerson (Jack Deth), Helen Hunt (Lena Deth), Megan Ward (Alice Stillwell), Biff Manard (Hap Ashby), Art LaFleur (Old McNulty), Alyson Croft (McNulty), Telma Hopkins (Cmdr. Raines), Martine Beswick (Nurse Trotter), Jeffrey Combs (Dr. Pyle), Sonny Carl Davis (Rabbit) and Richard Lynch (Dr. Wardo).


RELATED