The Maze Agency 21 (June 1991)

275586It’s an odd issue with Barr trying to do something on gay rights–Jennifer’s secretary has his father come out to meet his boyfriend for the first time, just as there’s some psycho killer hunting down gay guys–but Barr still goes for the occasional joke.

The biggest one is when Gabe is worried someone thinks he’s gay so he overcompensates. Oh, and then when the icy lesbian assumes the female cop is gay when I don’t think she’s supposed to be gay. The latter’s not a joke, just a cheap moment from Barr.

Mary Mitchell’s layouts are rather ambitious. The finished art doesn’t quite match them, but it’s a reasonably successful issue. The investigation has highs and lows–and the solution itself is simple and dumb–but there are some unexpected turns.

The leads’ romantic moments are awful; Barr doesn’t seem to give his plotting much thought at all.

CREDITS

Valentine’s Slay; writer, Mike W. Barr; penciller, Mary Mitchell; inker, Mike Witherby; colorist, Michelle Basil; letterer, Vickie Williams; editor, David Campiti; publisher, Innovation.

The Maze Agency 16 (October 1990)

275581Mary Mitchell is an odd choice for the comic. If her lines were messier, it might work better but she has a very cartoony, clean style. All of a sudden The Maze Agency looks like a reductionist Disney cartoon.

It’s occasionally interesting looking, but would work better for a backup story not a feature. Especially since Mitchell doesn’t handle certain standard things–shoes, for instance–well at all.

The mystery once again gives Gabe and Jennifer some tension in their dating life. They’ve both sold true crime books, but she’s sold hers to a big publisher, him to a not big publisher. Barr enjoys writing about their relationship problems, but there’s always something missing. It’s like he doesn’t imagine them having a life when they aren’t in the comic… They don’t have any texture.

So, in short, it’s an odd looking comic with some problems. The supporting cast really shines.

CREDITS

Fires of Love; writer, Mike W. Barr; penciller, Mary Mitchell; inkers, Don Martinec and Paul Worley; colorist, Susan Glod; letterer, Vickie Williams; editor, David Campiti; publisher, Innovation Publishing.