Tag Archives: Martin Campbell

No Escape (1994, Martin Campbell)

No Escape opens with this lovely piece of music from composer Graeme Revell. It’s sort of the film’s theme music and it doesn’t fit at all with the action or sci-fi elements integral to the plot. The film’s this odd mix of genres and filmmaking approaches. At times it’s anti-climatic to such an incredible point, it’s almost like the point is to keep the viewer uneasy.

Some of the strange plotting might be because it’s from a novel and the screenwriters are keeping as much of that source novel as possible. Or not. I haven’t read the novel.

But it’s an odd type of action film.

Campbell casts No Escape quite well. He gets a great scene out of practically every actor. Lance Henriksen and Jack Shepard do some excellent work here, as do Ernie Hudson and Don Henderson. Stuart Wilson runs hot and cold as the villain. He’s never quite frightening and the more forced lunatic moments fail… but there are occasionally these quiet ones and they work.

Kevin Dillon’s okay; his part is the weakest written. Except Michael Lerner. Though Lerner’s just goofy overall.

As for lead Ray Liotta… Liotta spends most of the film being a disaffected action hero. But it all works out—even though it’s obvious, when he finally does get emotional, there’s a significant resonance.

Campbell’s direction is excellent. Phil Meheux’s photography and Terry Rawlings’s editing are essential.

No Escape sort of takes itself too seriously. And that sincerity makes it work.

1.5/4★½

CREDITS

Directed by Martin Campbell; screenplay by Michael Gaylin and Joel Gross, based on a novel by Richard Herley; director of photography, Phil Meheux; edited by Terry Rawlings; music by Graeme Revell; production designer, Allan Cameron; produced by Gale Anne Hurd; released by Savoy Pictures.

Starring Ray Liotta (Robbins), Lance Henriksen (The Father), Stuart Wilson (Marek), Kevin Dillon (Casey), Kevin J. O’Connor (Stephano), Don Henderson (Killian), Ian McNeice (King), Jack Shepherd (Dysart), Michael Lerner (The Warden) and Ernie Hudson (Hawkins).


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The Mask of Zorro (1998, Martin Campbell)

The last time I saw Zorro (which would have also been the first time), it didn’t impress me much. I don’t remember hating it, but I do remember disliking it. This time through, however, I find myself mellowed. It’s an enjoyable adventure picture, the kind Hollywood doesn’t make anymore. The amount of Zorro swashbuckling alone is more physical action than I’ve seen in years in recent action movie.

Before I forget, I have to mention the ending. Spielberg is credited as an executive producer and it is an Amblin production, so I assume he was aware of the Temple of Doom similarities–down to the James Horner score, which goes out of its way to sound like John Williams.

The film gets by on a few principles. First and foremost, it’s amusing to watch Anthony Hopkins and Antonio Banderas. While Banderas is charming enough, it’s not really an acting job. He’s never good and he doesn’t have an honest moment until the epilogue. Hopkins on the other hand… Zorro is one of his better performances. The script doesn’t allow for his usual hamming. He does get it in a few scenes, but considering he’s wearing about nine pounds of makeup, it’s not like one is taking him seriously anyway.

Stuart Wilson is fantastic as the villain. Catherine Zeta Jones, similar to Banderas, skates by on a certain charm… but she doesn’t get that epilogue reprieve.

Campbell’s direction is good without being exemplar; he makes Zorro a rather fun two hours.

1.5/4★½

CREDITS

Directed by Martin Campbell; screenplay by John Eskow, Ted Elliot and Terry Russo, based on a story by Elliot, Russo and Randall Jahnson and on the character created by Johnston McCulley; director of photography, Phil Meheux; edited by Thom Noble; music by James Horner; production designer, Cecilia Montiel; produced by Doug Claybourne and David Foster; released by TriStar Pictures.

Starring Antonio Banderas (Alejandro Murrieta), Anthony Hopkins (Don Diego de la Vega), Catherine Zeta-Jones (Elena Montero), Stuart Wilson (Don Rafael Montero), Matt Letscher (Capt. Harrison Love), Tony Amendola (Don Luiz), Pedro Armendáriz Jr. (Don Pedro), William Marquez (Fray Felipe), José Pérez (Cpl. Armando Garcia), Victor Rivers (Joaquín Murrieta) and L.Q. Jones (Three-Fingered Jack).


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