Star Trek 13 (April 1981)

Star Trek #13It's another high concept issue from Pasko. He's got McCoy meeting his estranged daughter for the first time in years–she's marrying a Vulcan (a much, much older one), he's got the Enterprise landing on The Planet of the Apes and how it plays out when the Klingons get there. Pasko plays a lot with the Apes thing, working in all sorts of genre stuff from outside. For a few pages, it all feels like a mystery, and for the last few pages, Pasko goes for difficult character work.

In the meantime, there are also Klingons around causing trouble. These are post-The Motion Picture Klingons having a very television series encounter with the Enterprise crew. Pasko hits all the right notes.

Unfortunately, Joe Brozowski, Tom Palmer and Marie Severin don't exactly knock it out of the park on the art. There's some detail, but it's more consistently messy than anything else.

B+ 

CREDITS

All the Infinite Ways; writer, Martin Pasko; pencillers, Joe Brozowski, Tom Palmer and Diverse Hands; inkers, Palmer and Marie Severin; colorist, Carl Gafford; letterer, Joe Rosen; editor, Louise Jones; publisher, Marvel Comics.

Ka-Zar the Savage (1981) #32

Ka Zar the Savage  32

Reading Carlin’s Ka-Zar is watching a series collapse on itself. This issue does have Marie Severin doing these wonderful imaginings of Ka-Zar and Shanna as a sitcom married couple. Those scenes, totally pointless and unbelievable, are awesome.

Otherwise… it’s awful.

Carlin turns Shanna into a ninny and a little of a harpy. She doesn’t trust Ka-Zar’s judgement because Ka-Zar’s dumb, remember? Carlin just amplifies all the textures of her personality (under Bruce Jones’s writing) until she becomes unbelievable.

The major incident with this unbelievable behavior regards Ka-Zar’s brother, who’s a villain and has a goofy mustache and dumb name. But he’s got an accent so Shanna’s going to believe him? It doesn’t seem likely.

But the plot also requires Ka-Zar to be really stupid and unobservant.

Carlin’s whole approach seems to be making the protagonists morons so they’ll fall for his bad plot ideas.

Neary’s bad art doesn’t help anything.

Ka-Zar the Savage 32 (June 1984)

24011.jpg
Reading Carlin’s Ka-Zar is watching a series collapse on itself. This issue does have Marie Severin doing these wonderful imaginings of Ka-Zar and Shanna as a sitcom married couple. Those scenes, totally pointless and unbelievable, are awesome.

Otherwise… it’s awful.

Carlin turns Shanna into a ninny and a little of a harpy. She doesn’t trust Ka-Zar’s judgement because Ka-Zar’s dumb, remember? Carlin just amplifies all the textures of her personality (under Bruce Jones’s writing) until she becomes unbelievable.

The major incident with this unbelievable behavior regards Ka-Zar’s brother, who’s a villain and has a goofy mustache and dumb name. But he’s got an accent so Shanna’s going to believe him? It doesn’t seem likely.

But the plot also requires Ka-Zar to be really stupid and unobservant.

Carlin’s whole approach seems to be making the protagonists morons so they’ll fall for his bad plot ideas.

Neary’s bad art doesn’t help anything.