Tag Archives: Marc McClure

Apollo 13 (1995, Ron Howard)

While Tom Hanks, Bill Paxton and Kevin Bacon’s characters are the only ones in danger in Apollo 13, they remain calm for almost the entire runtime. There’s no point to panicking, something Hanks points out in dialogue. Instead, director Howard focuses on an exceptional assortment of character actors–as the NASA Mission Control–for the dramatic parts. Even Kathleen Quinlan, as Hanks’s wife, has to keep it together for the most part.

Otherwise, regardless of how it actually happened, the film’s dramatics wouldn’t work. Apollo 13 isn’t a disaster movie, it’s a science and engineering drama. Howard creates a genre with the film; I don’t think anyone has attempted to follow in his footsteps.

There’s no history synopsis at the start, so unless an unknowing viewer paid attention to the opening titles, the finish might be a surprise. Howard has to keep up the tension for both kinds of viewers, informed and not. He and editors Daniel P. Hanley and Mike Hill probably had a hell of a time putting the film together; they make it appear seamless and organically flowing

Wondrous photography from Dean Cundey and fine music from James Horner assist.

Hanks and Bacon have the most to do, with Paxton and the earthbound Gary Sinise providing sturdy support. Great work from Quinlan. Ed Harris binds the Mission Control scenes.

Of the outstanding character actors, Loren Dean, Clint Howard, Gabriel Jarret and Christian Clemenson stand out.

Apollo 13 is assured, masterful work all around… but especially from Howard.

4/4★★★★

CREDITS

Directed by Ron Howard; screenplay by William Broyles Jr. and Al Reinert, based on a book by Jim Lovell and Jeffrey Kluger; director of photography, Dean Cundey; edited by Daniel P. Hanley and Mike Hill; music by James Horner; production designer, Michael Corenblith; produced by Brian Grazer; released by Universal Pictures.

Starring Tom Hanks (Jim Lovell), Bill Paxton (Fred Haise), Kevin Bacon (Jack Swigert), Gary Sinise (Ken Mattingly), Ed Harris (Gene Kranz), Kathleen Quinlan (Marilyn Lovell), Jean Speegle Howard (Blanch Lovell), Tracy Reiner (Mary Haise), David Andrews (Pete Conrad), Chris Ellis (Deke Slayton), Joe Spano (NASA Director), Xander Berkeley (Henry Hurt), Marc McClure (Glynn Lunney), Ben Marley (John Young), Clint Howard (EECOM White), Loren Dean (EECOM Arthur), Tom Wood (EECOM Gold), Googy Gress (RETRO White), Patrick Mickler (RETRO Gold), Ray McKinnon (FIDO White), Max Grodénchik (FIDO Gold), Christian Clemenson (Dr. Chuck), Brett Cullen (CAPCOM 1), Ned Vaughn (CAPCOM 2), Andy Milder (GUIDO White), Geoffrey Blake (GUIDO Gold), Wayne Duvall (LEM Controller White), Jim Meskimen (TELMU White), Joseph Culp (TELMU Gold), John Short (INCO White), Ben Bode (INCO Gold), Todd Louiso (FAO White), Gabriel Jarret (GNC White), Christopher John Fields (Booster White), Kenneth White (Grumman Rep), James Ritz (Ted) and Andrew Lipschultz (Launch Director).

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Supergirl (1984, Jeannot Szwarc), the director’s cut

Supergirl never really had a chance. The Superman-inspired opening credits lack any grandeur, ditto with Jerry Goldsmith’s lame music. Goldsmith improves somewhat throughout, but the lack of a catchy theme song hurts the film.

The film has a few things going for it, however, including Helen Slater in the lead and Szwarc’s direction. A handful of scenes are quite good, hinting at what a better script might have been able to embrace. Unfortunately, David Odell’s script is moronic. He doesn’t just give Supergirl a dumb villain (Faye Dunaway must have been really desperate for work), he doesn’t even give Slater a story arc. There are hints at one–when Slater gets to Earth, she’s finally smarter. The opening (with Mia Farrow and Simon Ward looking embarrassed as Slater’s parents) suggest she’s kind of slow, or at least unfocused.

The trip to Earth, the film can’t help but implying, matures her.

There are also some excellent special effects. Even when the effects don’t work, it isn’t because they’re not competent, it’s because it’s a dumb idea. Dunaway’s an evil witch. It’s a flying superhero versus a witch. There isn’t a lot of room for good action set pieces with that scenario.

Other than Slater, the best performance is probably Hart Bochner as her love interest. He’s not good, just not terrible. I suppose Peter Cook is only embarrassing himself, not bad. Brenda Vaccaro, Jeff to Dunaway’s Mutt, is atrocious.

Slater’s performance deserves a better film. It’s unfortunate Supergirl doesn’t deliver.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Jeannot Szwarc; screenplay by David Odell, based on a character created by Otto Binder and Al Plastino; director of photography, Alan Hume; edited by Malcolm Cooke; music by Jerry Goldsmith; production designer, Richard Macdonald; produced by Timothy Burrill; released by Tri-Star Pictures.

Starring Helen Slater (Kara), Faye Dunaway (Selena), Hart Bochner (Ethan), Brenda Vaccaro (Bianca), Maureen Teefy (Lucy Lane), Peter Cook (Nigel), Simon Ward (Zor-El), Mia Farrow (Alura), Marc McClure (Jimmy Olsen), David Healy (Mr. Danvers) and Peter O’Toole (Zaltar).