The Autumnlands: Tooth & Claw 5 (March 2015)

The Autumnlands: Tooth & Claw #5Busiek’s kind of showing his hand with Autumnlands this issue. Not the plot as, though some of it, but more just how the comic’s going to be, how it’s going to read. It’s magic talk around a bunch of anthropomorphic steampunks. Maybe I’m just sick of Busiek not knowing what to do with the narrator. When he just narrates, it’s really annoying.

The issue’s story is a lot of political maneuvering and double-crossing and so on. It’s competently done, but never interesting or original. There’s a lot with the champion, usually through the narrator’s eyes, with these little asides letting the knowing reader in. If you don’t want a narrator, don’t use one. Don’t undermine him, not unless you want the reader not to like him, which is a perfectly reasonable (if unlikely) possibility.

Dewey’s art seems a little hurried and he’s still no better at drawing the human.

CREDITS

Writer, Kurt Busiek; artist, Benjamin Dewey; colorist, Jordie Bellaire; letterers, John Roshell and Albert Deschesne; publisher, Image Comics.

Flash Gordon 6 (October 2014)

Flash Gordon #6Parker does a great job with the Arboria adventure–with Dale getting to hang out with some Hawkmen and then rescue Flash and Zarkov on her own. There’s a lot of personality for the Arborians–well, the people with the wings, less so for the sirens who don’t have wings. Parker keeps it relatively simple; maybe too much so, but it’s Flash Gordon and it works with simplicity.

He resolves the cliffhanger, moves into Dale’s adventure, has some good laughs at Flash and, especially, Zarkov’s expenses and then brings in Vultan. Now, he and Shaner don’t do a lot of obvious Flash Gordon: The Movie references but something about Vultan’s introduction just screams Brian Blessed. It’s a wonderful touch.

The final has a too abrupt cliffhanger, but then there’s some nice epilogue art with Ming from Greg Smallwood. And Parker’s finally giving Ming some real personality.

It works out well.

A- 

CREDITS

Writers, Jeff Parker and Jordie Bellaire; artists, Evan Shaner and Greg Smallwood; colorist, Bellaire; letterer, Simon Bowland; editor, Nate Cosby; publisher, Dynamite Entertainment.

Tom Strong and the Planet of Peril 1 (September 2013)

279318 20130731121148 largeSo Planet of Peril turns out to be a sequel to the Terra Obscura series Hogan’s done. Those are great so I have high hopes for this one. And so far, Hogan doesn’t disappoint.

He has Chris Sprouse and Karl Story on art so it’s good, but he also comes up with this great meta scene where Tom Strong tries to explain why there haven’t been Terra Obscura comics published in the last few years. It’s hard to tell if it’s a one off meta moment or if Hogan’s going to weave it in and out of the entire series.

There’s also the human element–Tesla’s pregnant with some fiery guy’s baby and it’s putting her in danger. Hogan’s doing the Superman pregnancy storyline hinted at in Mallrats apparently.

Hogan gets in a good amount of humor and action, lots of the touching Strong stuff and great opportunities for Sprouse.

B+ 

CREDITS

The Girl in the Bubble; writer, Peter Hogan; penciller, Chris Sprouse; inker, Karl Story; colorist, Jordie Bellaire; letterer, Todd Klein; editors, Kristy Quinn, Ben Abernathy and Shelly Bond; publisher, Vertigo.