Tag Archives: Johnny Depp

Alice in Wonderland (2010, Tim Burton)

Alice in Wonderland has a number of balls in the air at once and director Burton–though he does show a good sense of them each while in focus–can’t seem to bring them together successfully. The potentially unifying elements–like Danny Elfman’s score or Mia Wasikowska in the lead–both fall short. For whatever reason, Burton doesn’t have Elfman design the score to be memorable; even when it’s competent, it just reminds of better Danny Elfman scores. As for Wasikowska, who’s utterly phenomenal whether she’s in nineteenth century England or the titular Wonderland, the film loses her too often.

And that loss of Wasikowska, even though it’s always to bring in the assorted cast of Wonderland, kills the film’s momentum. Alice has a very standard plot–Wasikowska has an unpleasant future waiting for her in reality, will her experiences in Wonderland somehow edify and empower her to deal with them? Even though it’s Alice in Wonderland, it often feels like Burton and screenwriter Linda Woolverton wish they were making Dorothy in Oz.

But when Wasikowska is on screen, she’s able to sell Wonderland’s generic journey. She’s got able assistance too. Johnny Depp turns the Mad Hatter into a wonderful character, acting against his makeup, and Helena Bonham Carter is fantastic as the Red Queen. Both Anne Hathaway and Crispin Glover are painfully affected but they’re always opposite someone great so it doesn’t matter too much.

Wonderland’s a moderate success, but should have been a much greater one.

2/4★★

CREDITS

Directed by Tim Burton; screenplay by Linda Woolverton, based on novels by Lewis Carroll; director of photography, Dariusz Wolski; edited by Chris Lebenzon; music by Danny Elfman; produced by Richard D. Zanuck, Joe Roth, Suzanne Todd and Jennifer Todd; released by Walt Disney Pictures.

Starring Mia Wasikowska (Alice Kingsleigh), Johnny Depp (Mad Hatter), Helena Bonham Carter (Red Queen), Crispin Glover (Stayne), Anne Hathaway (White Queen), Matt Lucas (Tweedledee and Tweedledum), Stephen Fry (Cheshire Cat), Timothy Spall (Bayard the Bloodhound), Michael Sheen (White Rabbit), Barbara Windsor (Dormouse) and Alan Rickman (Absolem the Caterpillar).


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What’s Eating Gilbert Grape (1993, Lasse Hallström)

What’s Eating Gilbert Grape does something very unscrupulous… it relies on the viewer’s affection for its characters to get away with being a wolf in sheep’s clothing.

In terms of narrative honesty, I mean.

Gilbert Grape is, for the majority of its run time, a lyrical character study. Yes, it takes place in a summer and not an average one, but director Hallström goes out of his way to show the extraordinary events in the film as standard in the characters’ lives. Sven Nykvist’s photography, Alan Parker and Björn Isfält’s beautiful score, it all combines to create that lyrical mood.

Then something little happens, thanks to the introduction of Juliette Lewis’s stranded tourist into the lives of locals Johnny Depp and Leonardo DiCaprio’s lives.

Then something big happens and it turns out that deus ex machina finish isn’t even necessary, not even a part of it, for Gilbert Grape to work. One has to assume writer Peter Hedges, adapting his own novel, wasn’t willing to streamline for the sake of narrative honesty.

Depp’s strong in the lead, Lewis is good as his love interest. DiCaprio, as Depp’s mentally handicapped brother, is outstanding. But Laura Harrington and Mary Kate Schellhardt are great (though underutilized) as Depp and DiCaprio’s sisters. Darlene Cates is affecting, if a little rocky.

Excellent supporting work from Crispin Glover, Kevin Tighe and Mary Steenburgen.

Regardless of the narrative subterfuge, What’s Eating Gilbert Grape is an excellent film. It’s often a wondrous, transcendent experience with some exquisite acting.

3/4★★★

CREDITS

Directed by Lasse Hallström; screenplay by Peter Hedges, based on his novel; director of photography, Sven Nykvist; edited by Andrew Mondshein; music by Alan Parker and Björn Isfält; production designer, Bernt Amadeus Capra; produced by David Matalon, Bertil Ohlsson and Meir Teper; released by Paramount Pictures.

Starring Johnny Depp (Gilbert Grape), Leonardo DiCaprio (Arnie Grape), Juliette Lewis (Becky), Mary Steenburgen (Betty Carver), Darlene Cates (Bonnie Grape), Laura Harrington (Amy Grape), Mary Kate Schellhardt (Ellen Grape), Kevin Tighe (Ken Carver), John C. Reilly (Tucker Van Dyke), Crispin Glover (Bobby McBurney) and Penelope Branning (Becky’s Grandma).


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Dark Shadows (2012, Tim Burton)

With Dark Shadows, director Burton and screenwriter Seth Grahame-Smith find a great formula for humor in the film, which has a lot of inherent humor in just taking place in 1972 and having vampire running around.

While it’s very much comedic, Burton infuses it with a surprisingly dark element. But Johnny Depp’s lead isn’t the evil, of course; instead, it’s Eva Green’s witch.

There’s a lot of good acting in Shadows, but Green’s the most impressive. She delights in the character’s evil, but never makes her unenjoyable to watch.

Depp gives a strong performance, making his vampire both tragic and comedic. He makes the character cute, even when he’s doing bad things. Jackie Earle Haley’s part is too small, but he’s very funny as Depp’s drunken sidekick. Bella Heathcote–who gets lost a little in the script (Shadows could go on quite a bit longer)–is good, as is Gulliver McGrath as her charge.

Both Michelle Pfeiffer and Helena Bonham Carter are excellent, playing to the humor in the film in different ways. They have a fantastic scene together. It’s short, but simply fantastic.

The only unimpressive performance is Chloë Grace Moretz. She’s adequate, but lackluster compared to her costars.

The Bruno Delbonnel photography is excellent; Burton’s got a great look for the film, though the CG is a tad shiny.

Oddly, Danny Elfman’s score is nowhere near as compelling as the seventies rock soundtrack.

Despite a couple third act missteps, Shadows is a very pleasant, extremely likable surprise.

2.5/4★★½

CREDITS

Directed by Tim Burton; screenplay by Seth Grahame-Smith, based on a story by John August and Grahame-Smith and the television series created by Dan Curtis; director of photography, Bruno Delbonnel; edited by Chris Lebenzon; music by Danny Elfman; production designer, Rick Heinrichs; produced by Graham King, Johnny Depp, Christi Dembrowski, David Kennedy and Richard D. Zanuck; released by Warner Bros.

Starring Johnny Depp (Barnabas Collins), Michelle Pfeiffer (Elizabeth Collins Stoddard), Helena Bonham Carter (Dr. Julia Hoffman), Eva Green (Angelique Bouchard), Jackie Earle Haley (Willie Loomis), Jonny Lee Miller (Roger Collins), Bella Heathcote (Victoria Winters / Josette DuPres), Chloë Grace Moretz (Carolyn Stoddard), Gulliver McGrath (David Collins), Ray Shirley (Mrs. Johnson), Christopher Lee (Clarney), William Hope (Sheriff) and Alice Cooper (Alice Cooper).


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Sleepy Hollow (1999, Tim Burton)

For the majority of the running time, at least Sleepy Hollow isn’t boring. Burton gets in an event every ten minutes, which keeps it moving. It often gets really stupid and watching Johnny Depp’s histrionics get tiresome after the first five minutes, but at least it moves. Until the finale, which drags incredibly. Since the film is constructed as a mystery, once the villain’s identity is revealed, it becomes a lot less interesting. Burton could have done something better, but not much in Sleepy Hollow suggests he cares enough to bother.

Besides the supporting cast and the production design—and Emmanuel Lubezki’s photography, which is lovely—there’s nothing special about the film. For a lot of it, Depp is running around with costars Christina Ricci and Marc Pickering, looking like their babysitter. Ricci’s playing the love interest though, which would come off as odd if Depp was for one moment trying to create a believable character. Watching him primp around—his facial expressions could power a small town alone—is mind-numbing.

But the supporting cast features some excellent performances—Michael Gough, Ian McDiarmid and Richard Griffiths are all wonderful. Michael Gambon doesn’t do well though, neither does Jeffrey Jones. Miranda Richardson has some good moments and some awful ones.

The script’s stupid, but it’s unclear if any of the problems are Burton’s fault. His sensibilities—besides the production itself—are reined in. He even rips off a moment from Total Recall.

It’s a lame, worthless movie… but not intolerable.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Tim Burton; screenplay by Andrew Kevin Walker, based on a screen story by Kevin Yagher and Walker and a story by Washington Irving; director of photography, Emmanuel Lubezki; edited by Chris Lebenzon and Joel Negron; music by Danny Elfman; production designer, Rick Heinrichs; produced by Scott Rudin and Adam Schroeder; released by Paramount Pictures.

Starring Johnny Depp (Ichabod Crane), Christina Ricci (Katrina Van Tassel), Miranda Richardson (Lady Van Tassel), Michael Gambon (Baltus Van Tassel), Casper Van Dien (Brom Van Brunt), Jeffrey Jones (Reverend Steenwyck), Richard Griffiths (Magistrate Philipse), Ian McDiarmid (Doctor Lancaster), Michael Gough (Notary Hardenbrook), Marc Pickering (Young Masbath), Lisa Marie (Lady Crane), Steven Waddington (Killian), Claire Skinner (Beth Killian), Christopher Lee (Burgomaster), Alun Armstrong (High Constable) and Christopher Walken (Hessian Horseman).


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THIS FILM IS ALSO DISCUSSED ON BASP | MARS ATTACKS! (1996) / SLEEPY HOLLOW (1999).