I’m not sure what the best thing is about Neighbors. There’s the comic pacing, there’s the comic acrobatics, there’s the story, there’s the acting. Co-directors Keaton and Cline quickly introduce this fantastic setup–Romeo and Juliet across a fence in an alley and then immediately get into two very complicated Keaton-fueled acrobatic mastery. It segues into a mistaken identity chase sequence, then resolves in a melodramatic plot development giving seven cast members (sadly, the bride and groom’s mothers are uncredited) each something to do, before wrapping up in another acrobatic chase sequence.
It’s the perfect slapstick comedy, but it’s also a great romantic comedy, a great comedy of errors. All in seventeen or so minutes. Keaton and Cline perfectly time every shot, every scene.
Neighbors is a perfect seventeen minutes of film. Keaton and Cline do a fantastic, masterful and totally understated job with the film. It’s magnificent.
Directed by Edward F. Cline and Buster Keaton; screenplay by Cline and Keaton, based on a story by Keaton; director of photography, Elgin Lessley; produced by Joseph M. Schenck; released by Metro Pictures Corporation.
Starring Buster Keaton (The Boy), Virginia Fox (The Girl), Joe Roberts (Her Father), Joe Keaton (His Father), Edward F. Cline (The Cop) and Jack Duffy (The Judge).