Joe Keaton | The Stop Button

I’m not sure what the best thing is about Neighbors. There’s the comic pacing, there’s the comic acrobatics, there’s the story, there’s the acting. Co-directors Keaton and Cline quickly introduce this fantastic setup–Romeo and Juliet across a fence in an alley and then immediately get into two very complicated Keaton-fueled acrobatic mastery. It segues into a mistaken identity chase sequence, then resolves in a melodramatic plot development giving seven cast members (sadly, the bride and groom’s mothers are uncredited) each something to do, before wrapping up in another acrobatic chase sequence.

It’s the perfect slapstick comedy, but it’s also a great romantic comedy, a great comedy of errors. All in seventeen or so minutes. Keaton and Cline perfectly time every shot, every scene.

Neighbors is a perfect seventeen minutes of film. Keaton and Cline do a fantastic, masterful and totally understated job with the film. It’s magnificent.

Highly Recommended

CREDITS

Directed by Edward F. Cline and Buster Keaton; screenplay by Cline and Keaton, based on a story by Keaton; director of photography, Elgin Lessley; produced by Joseph M. Schenck; released by Metro Pictures Corporation.

Starring Buster Keaton (The Boy), Virginia Fox (The Girl), Joe Roberts (Her Father), Joe Keaton (His Father), Edward F. Cline (The Cop) and Jack Duffy (The Judge).


RELATED

OTHER FILMS DIRECTED BY EDWARD F. CLINE
OTHER FILMS DIRECTED BY BUSTER KEATON
OTHER 1920 RELEASES

Advertisements

The Scarecrow opens with a lengthy practical effects sequence. Buster Keaton and Joe Roberts are roommates and they have an elaborately designed “concise” home. It’s like IKEA’s dream, only with manually pulled ropes instead of some kind of remote control.

(There’s also a gag Chaplin had, a year later, in The Kid).

Turns out the roommates are in love with the same girl (Sybil Seeley, who’s appealing with nothing to do). Somehow, this love triangle results in Keaton getting chased by Seeley’s possibly rabid dog while both he and Roberts run afoul of her father (played by Joe Keaton).

The automated home alone would be enough of a gag for an entire short, the dog chase would be enough for an entire short, but then directors Keaton and Cline turn it all into a runaway romance and chase picture. The Scarecrow’s a breathtaking achievement of technique, practically and narratively.

Highly Recommended

CREDITS

Written and directed by Edward F. Cline and Buster Keaton; director of photography, Elgin Lesley; released by Metro Pictures Corporation.

Starring Buster Keaton (Farmhand), Joe Roberts (Farmhand), Sybil Seely (Farmer’s Daughter) and Joe Keaton (Farmer).


RELATED

OTHER FILMS DIRECTED BY EDWARD F. CLINE
OTHER FILMS DIRECTED BY BUSTER KEATON
OTHER 1920 RELEASES

superior film blogging

One	Two

Three	Four

Five	Six

Seven	Eight

Nine	Ten

Eleven	Twelve

Thirteen	Fourteen

Fifteen	Sixteen

Seventeen	Eighteen

Nineteen	Twenty

Twenty-one	Twenty-two

Twenty-three	Twenty-four

Twenty-five	Twenty-six

Twenty-seven	Twenty-eight

Twenty-nine	Thirty

The Stop Button

Tag Archives: Joe Keaton

Neighbors (1920, Edward F. Cline and Buster Keaton)

The Scarecrow (1920, Edward F. Cline and Buster Keaton)

superior film blogging