Atom Man vs. Superman (1950, Spencer Gordon Bennet), Chapter 1: Superman Flies Again

Superman Flies Again establishes a few things I’m very curious to see if Atom Man vs. Superman keeps going with over the course of the serial. Firstly, is Pierre Watkin always completely wrong about everything. Playing newspaper editor Perry White, Watkin calls his staff–Kirk Alyn, Noel Neill, Tommy Bond–into the office (they can all hear him, not just Superman Alyn, through a closed door about thirty feet away) and makes always incorrect predictions about crises.

He’s wrong at least twice in Flies Again, maybe three times. He also thinks Bond–as Jimmy Olsen–is either incompetent or a liar. Not sure why Bond’s still got a job. Though it’s a shame there’s no HR department at the 1950 Daily Planet because Neill ought to drag Bond in for his sexist banter. So far, all there is to Bond is stupid sexist comments masquerading as jokes (obviously, screenwriters’ fault), a lack of respect from boss Watkin, and impetuousness. Bond’s always trying to fight crooks. They tend to win.

Neill and Alyn don’t get a lot to do in Flies Again; well, Alyn as Clark Kent doesn’t get a lot to do. But there’s a sort of great sequence where he can’t change into the blue tights because Neill’s keeping too close of tabs on him. Unfortunately, director Bennet’s apparently going to be inept at comedy. Otherwise, it’d have been great.

As Superman, Alyn gets to fight with his arch nemesis, Lyle Talbot. Bald-capped Talbot is Lex Luthor, evil genius. Lots of gadgets in this chapter, usually amusing, if only because the regular folk who encounter the gadgets just act like people dematerializing is an everyday thing. Tablot ends up in jail, but can take regular trips out because of his evil genius. Alyn, of course, has no idea.

Either Superman doesn’t break down Talbot’s cave laboratory hideout when capturing him or Talbot gets it set up identically somewhere else.

The Superman flying effects are still mostly the cartoon, but there are some medium shots on Alyn in flight. It seems cool until he uses his superpower of yelling to tell the cops (on the ground) his plans.

The cliffhanger’s obvious but not bad. Some drama and a big explosion.

It seems like Talbot’s antics are going to keep Atom Man chugging along. Though it’s a shame Neill’s never going to slap Bond to shut him up. And Don C. Harvey is a henchman; he ought to be good.

The Adventures of Superpup (1958, Cal Howard)

What better way to capitalize on the success of TV’s “The Adventures of Superman” with a kid’s show recasting the characters as dogs. What’s strangest about “The Adventures of Superpup”–not surprisingly, it never went past pilot–isn’t the Little People in gigantic dog helmets (no, “Superpup” isn’t a cartoon), but how it handles the Superman mythos.

The dog costumes are just weird–especially since the script’s for a cartoon–the characters are a lot more interesting.

First off, Bark Bent has a mouse (or rat) living in his drawer at work. This rodent is the real hero. See, Superpup isn’t much of a superhero. He mostly loafs about at work, napping at his desk. The rodent is the real hero.

“Superpup” isn’t even schlocky bad. It’s just a terrible idea, incompetently produced and directed.

Well, I guess it does show what a real live action cartoon would look like.

1/3Not Recommended

CREDITS

Directed by Cal Howard; screenplay by Howard and Whitney Ellsworth, based on a concept by Jerry Siegel and Joe Shuster; director of photography, Joseph F. Biroc; edited by Sam E. Waxman; produced by Ellsworth.

Starring Billy Curtis (Super Pup/Bark Bent), Ruth Delfino (Pamela Poodle), Angelo Rossitto (Terry Bite), Frank Delfino (Sergeant Beagle), Harry Monty (Professor Sheepdip) and Sadie Delfino (Wolfingham / Montgomery Mouse).


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Superman Classic (2011, Robb Pratt)

While it only runs a minute (I think), Superman Classic–which director Pratt describes as a “super fan film”–is pretty, well, super. Only the final moment disappoints, mostly because it’s a promise Pratt’s not going to keep.

Classic is mostly hand drawn animation, which gives the cartoon the “fan film” feel occasionally, but Pratt professionally packages it. The music is from the old serials and sets a certain tone. But the backgrounds remind of the Fleischer cartoons. And Pratt gives Clark Kent mannerisms straight out of Christopher Reeve’s essaying of the character.

Not to mention John Newton (who once played Superboy on TV) voices Superman.

Classic feels like a thoughtful, warm homage to the various Superman moving pictures.

The first moments, between Clark and Lois are the best. In a few lines, Pratt establishes the classic banter with some modern details.

I wish Classic were just twenty seconds longer….

2/3Recommended

CREDITS

Produced and directed by Robb Pratt; screenplay by Pratt, based on characters created by Jerry Siegel and Joe Shuster; animated by Pratt, Steven Pierre Gordon and James Baker.

Starring John Newton (Clark Kent / Superman) and Jennifer Newton (Lois Lane).


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