Hawkeye Annual 1 (September 2013)

278699 20130724125331 largeFraction and Javier Pulido give Kate the spotlight, setting her up on her own in Los Angeles. Fair warning, there’s an amazing Caddyshack reference and a cute “Rockford Files” one too. I saw the latter coming, but the Caddyshack thing? Fraction’s beautifully muted about it.

Speaking of beautiful, Pulido has a fantastic style for the annual. A lot of the panels are silhouettes, giving the story an almost comic strip feel, focusing the reader’s attention on the dialogue, but also the scenery. There’s great scenery here. There’s another device where Fraction tells Kate’s internal monologue in these little thought boxes, complete with Pulido illustrating her internal expression at the thoughts.

The story itself involves Madame Masque out for revenge and Kate having to grow up fast. The two women play quite well off each other.

It’s a shame Fraction’s experiments with the regular series aren’t as successful as this annual.

CREDITS

West Coast Avenger; writer, Matt Fraction; artist, Javier Pulido; colorist, Matt Hollingsworth; letterer, Clayton Cowles; editors, Tom Brennan and Stephen Wacker; publisher, Marvel Comics.

Hawkeye 5 (February 2013)

885770Pulido has a great panel of Clint getting shot. He splits it into three slivers and has the movement sort of turn in on itself. It’s very confusing, sure, but it’s also great artwork.

The wrap-up to the series’s first two parter isn’t as good as it should be. Fraction finally has a reveal, something he’s avoided until now, and it doesn’t pay off. The reader doesn’t have enough information for it to mean anything. However, thanks to Kate’s presence, it still works out.

Of course, since I don’t enough about Hawkeye I didn’t realize Kate’s supposed to be so young (like twenty). Does the age make Clint a big brother or father figure? It’s not clear and it doesn’t have to be clear… but her age does need clarifying.

And I’ve now read a comic with Black Nick Fury. He’s mad at his dad.

Good, not great, issue.

CREDITS

The Tape, 2 of 2; writer, Matt Fraction; artist, Javier Pulido; colorist, Matt Hollingsworth; letterer, Chris Eliopoulos; editor, Sana Amanat and Stephen Wacker; publisher, Marvel Comics.

Hawkeye 4 (January 2013)

884541I love the way Javier Pulido does superheroes. The issue’s mostly supervillains and not many costumes for them (except Madame Masque); Captain America does show up for a bit. Pulido somehow retains his style, which isn’t particularly realistic (at all), but makes the superheroes seem to be realistically visualized.

It’s very interesting to see.

The issue’s great, though Fraction assumes the reader is a lot more familiar with Hawkeye history than I am. Apparently he assassinated someone for SHIELD and there’s a tape of it. Pretty sure modern Marvel continuity starts after the death of VHS–especially for camcorders–but whatever. Fraction’s doing it retro. It’s a fine touch.

Clint keeps getting himself in trouble. Fraction delights at having a not too smart protagonist too. It’s not masochistic because Pulido’s art isn’t grim enough… but it’s close.

The soft cliffhanger is wonderful too. Fraction’s doing great work on this one.

CREDITS

The Tape, 1 of 2; writer, Matt Fraction; artist, Javier Pulido; colorist, Matt Hollingsworth; letterer, Chris Eliopoulos; editor, Sana Amanat and Stephen Wacker; publisher, Marvel Comics.

The Immortal Iron Fist (2007) #12

Iif12

Is there even a fight this issue? Wait, yes. Davos gets beat up for being a tool last issue.

The art chores are apparently getting to be too much for Aja, as Javier Pulido fills in on some of the pages. Pulido covers the stuff with Luke, Misty and Colleen, but also some of the K’un-L’un stuff… so it’s not like there’s any rhyme or reason to it. In fact, at the beginning I just thought it was Aja trying a new style. Pulido’s great… so great one might wish he was doing the whole book.

Kano does the flashbacks, which feature Danny’s father fleeing K’un-L’un.

Brubaker and Fraction give the background on the revolution here. The Thunderer is going up against the ruler, Yu-Ti, who is revealed to be a tyrant. Shame they couldn’t foreshadowed it.

It’s good–there’s some great dialogue–but it’s real jumbled.

The Immortal Iron Fist 12 (February 2008)

if12.jpg
Is there even a fight this issue? Wait, yes. Davos gets beat up for being a tool last issue.

The art chores are apparently getting to be too much for Aja, as Javier Pulido fills in on some of the pages. Pulido covers the stuff with Luke, Misty and Colleen, but also some of the K’un-L’un stuff… so it’s not like there’s any rhyme or reason to it. In fact, at the beginning I just thought it was Aja trying a new style. Pulido’s great… so great one might wish he was doing the whole book.

Kano does the flashbacks, which feature Danny’s father fleeing K’un-L’un.

Brubaker and Fraction give the background on the revolution here. The Thunderer is going up against the ruler, Yu-Ti, who is revealed to be a tyrant. Shame they couldn’t foreshadowed it.

It’s good–there’s some great dialogue–but it’s real jumbled.

CREDITS

The Seven Capital Cities of Heaven, Part 5; writers, Ed Brubaker and Matt Fraction; artists, Kano, Javier Pulido and David Aja; colorist, Matt Hollingsworth; letterer, Artmonkeys Studios; editors, Alejandro Arbona and Warren Simons; publisher, Marvel Comics.