Tag Archives: Jack Nitzsche

Starman (1984, John Carpenter)

Starman’s first forty or so minutes speed by–director Carpenter gets as much information across as quickly as he can to discourage the viewer from paying too much attention. There aren’t exactly plot holes, but there’s a lot of silliness in the script. For example, Charles Martin Smith–who’s perfectly good in the film–has an entirely pointless character. He’s just there to contrive some drama in the third act.

Except it isn’t really dramatic because Starman’s narrative is exceedingly predictable. What isn’t predictable is Carpenter’s direction or the performances from Jeff Bridges and Karen Allen. Bridges gets the unique leading man role of being able to continually reinvent his performance; right up until the last scene of the film, there’s always something new he gets to do.

The script doesn’t fully acknowledge the strangeness of Allen’s character’s situation–her husband reincarnated but as an entirely different being. Bruce A. Evans and Raynold Gideon’s script is never particularly smart or self-aware. In some ways, Carpenter just ignores the script problems and pushes forward. He matches his personal indulgences (like the massively choreographed and utterly useless helicopter sequence) with similar indulgences for Bridges and Allen. Carpenter’s showcasing, because there’s not much else to do with the problematic narrative.

Carpenter keeps the filmmaking ambitious, compensating somewhat for the script. The lush Jack Nitzsche score is initially muted, only coming through as the narrative develops. Carpenter and cinematographer Donald M. Morgan create some fantastic visuals.

It’s a glorious, gorgeous misfire.

2.5/4★★½

CREDITS

Directed by John Carpenter; written by Bruce A. Evans and Raynold Gideon; director of photography, Donald M. Morgan; edited by Marion Rothman; music by Jack Nitzsche; production designer, Daniel A. Lomino; produced by Larry J. Franco; released by Columbia Pictures.

Starring Jeff Bridges (Starman), Karen Allen (Jenny Hayden), Charles Martin Smith (Mark Shermin), Robert Phalen (Major Bell), Tony Edwards (Sergeant Lemon) and Richard Jaeckel (George Fox).


RELATED


THIS FILM IS ALSO DISCUSSED IN SUM UP | JOHN CARPENTER, PART 2: THE STUDIO QUARTET.

Advertisements

The Jewel of the Nile (1985, Lewis Teague)

If there’s a better example of why not every successful film should have a sequel than The Jewel of the Nile, I can’t think of it.

Nile should be a lot of fun–Michael Douglas and Kathleen Turner are still likable, Danny DeVito’s still hilarious… but it soon becomes clear Douglas and Turner are more likable apart. Her character has completely changed, while his changes might just be seen as character development. Might.

Screenwriters Mark Rosenthal and Lawrence Konner don’t really have a story for the duo, so they flop their way into one. There’s a lot of resolution to the previous film’s ending, which seems like a waste of run time. The first twenty minutes of Nile could be done in three lines of good expository dialogue.

The film does have some decent action, thanks to too much money, a fine workman director in Teague and great Jan de Bont photography. The Jack Nitzsche score is iffy, but Peter Boita and Michael Ellis’s editing is sublime. It never gets boring, even when the action scenes are clearly padded out. There’s just too much technical competence.

Nile does rely a lot on racial stereotypes. The filmmakers seem to think they’re being respectful, but it’s still uncomfortably exploitative.

One of the script’s biggest mistakes is to give DeVito his own storyline. He’d have been funnier with Douglas and Turner, who instead accompany Avner Eisenberg. Eisenberg is no DeVito.

It’s also too bad Douglas can’t feign interest. He produced it after all.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Lewis Teague; screenplay by Mark Rosenthal and Lawrence Konner, based on characters created by Diane Thomas; director of photography, Jan de Bont; edited by Peter Boita and Michael Ellis; music by Jack Nitzsche; production designers, Richard Dawking and Terry Knight; produced by Michael Douglas; released by 20th Century Fox.

Starring Michael Douglas (Jack Colton), Kathleen Turner (Joan Wilder), Danny DeVito (Ralph), Spiros Focás (Omar), Avner Eisenberg (Al-Julhara), Paul David Magid (Tarak), Hamid Fillali (Rachid) and Holland Taylor (Gloria).


RELATED