Marvel Team-Up 142 (June 1984)

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Michelinie writes a good issue here. Ten pages in and he’s had two action sequences, one for Spidey, one for Captain Marvel; it feels like you’re spending the day with the characters. Not in some fun sense, rather as though Michelinie is approximating real time in summary. It’s impressive pacing and it makes up for some of the weaker expository moments.

The only real problem is the artwork–LaRocque’s Peter Parker is some kind of awful, though it’s hard to dislike the scene too much… since it’s got a nice mention of Milt Caniff. It’s the kind of reference I don’t remember ever seeing in a Marvel comic.

The real strength of the comic is Captain Marvel. From what I’ve seen of her appearances in this era, the character always manages to rise above bad writing. So with a solid script, like here, she’s fantastic.

It’s a good, readable superhero outing.

CREDITS

Foiled!; writer, Dave Michelinie; pencillers, Greg LaRocque and Mike Esposito; inker, Esposito; colorist, Bob Sharen; letterer, Diana Albers; editors, Bob DeNatale and Danny Fingeroth; publisher, Marvel Comics.

Marvel Team-Up (1972) #141

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Wow, Priest can write. I’ve liked his stuff, been impressed what he could do with Marvel superheroes, but this issue is just fantastic. Maybe because he… he writes thought balloons like they’re internal monologue and not declarative statements, not opportunities for expository shortcuts.

He also should write Batman, because he borrows Batman and Jim Gordon’s relationship for Matt Murdock and Ben Urich.

The issue’s a nice story about Matt trying to help a client–not sure how ethical it is for Daredevil to act as Matt’s private investigator, since he’s not informing the client–and Spider-Man trying to help a technically innocent teenage thug.

The teenager and client are the same person, but Priest explores the difference in Spidey and Daredevil’s approach to how and why to resolve the situation.

Goofy art–Matt’s hair is absolutely hilarious–but not bad Marvel house style.

I’m stunned by the book’s quality.

Marvel Team-Up 141 (May 1984)

25860.jpgWow, Priest can write. I’ve liked his stuff, been impressed what he could do with Marvel superheroes, but this issue is just fantastic. Maybe because he… he writes thought balloons like they’re internal monologue and not declarative statements, not opportunities for expository shortcuts.

He also should write Batman, because he borrows Batman and Jim Gordon’s relationship for Matt Murdock and Ben Urich.

The issue’s a nice story about Matt trying to help a client–not sure how ethical it is for Daredevil to act as Matt’s private investigator, since he’s not informing the client–and Spider-Man trying to help a technically innocent teenage thug.

The teenager and client are the same person, but Priest explores the difference in Spidey and Daredevil’s approach to how and why to resolve the situation.

Goofy art–Matt’s hair is absolutely hilarious–but not bad Marvel house style.

I’m stunned by the book’s quality.

CREDITS

Blind Justice!; writers, Tom DeFalco and Christopher Priest; pencillers, Greg LaRocque and Mike Esposito; inker, Esposito; colorist, Glynis Wein; letterer, Diana Albers; editors, Bob DeNatale and Danny Fingeroth; publisher, Marvel Comics.