Mission to Moscow is straight propaganda. There’s a lot of Hollywood propaganda in the early 1940s, even the late 1930s, but usually, with those films, there’s at least the pretense of dramatic storytelling. There’s a love story attached, maybe a love triangle, something. There’s nothing attached to Mission to Moscow. It’s essentially a long advertisement for the Soviet Union. Most amusing, I suppose, is when Stalin himself shows up. The film’s from 1943, so nobody knew about him yet.
Walter Huston plays the ambassador to Russia and his story sort of guides the film. It follows him, but the way he moves is for the exposition, not for the character. There isn’t a single conflict for his character in the entire film. Huston’s fantastic, of course, but he’s better at the beginning. For most of the film he looks concerned or he gives speeches, but at the beginning there’s still some dramatic excitement. There are a number of other good performances, particularly Oskar Homolka.
As long as Mission to Moscow is, it’s competently told–writing this screenplay later got Howard Koch blacklisted–and there are a number of nice segments. The film ought to be famous as Michael Curtiz’s follow-up to Casablanca (but isn’t) and it’s probably his strongest directorial effort. There’s one particular scene, at a formal reception, which is beautifully constructed. The camera moves from each country’s representatives, both establishing their political situation as well as the particularities of the characters. It’s too bad this scene–as well as an excellent trial scene–are surrounded by such boring material.
The film plays on Turner Classic Movies from time to time and I read Warner Bros. is considering a DVD release (though I don’t know as part of what collection–no one knows Huston or Curtiz anymore).
Directed by Michael Curtiz; screenplay by Howard Koch, based on the book by Joseph E. Davies; director of photography, Bert Glennon; edited by Owen Marks; music by Max Steiner; produced by Robert Bruckner; released by Warner Bros.
Starring Walter Huston (Ambassador Joseph E. Davies), Ann Harding (Mrs. Marjorie Davies), Oskar Homolka (Maxim Litvinov, Foreign Minister), George Tobias (Freddie), Gene Lockhart (Premier Molotov), Eleanor Parker (Emlen Davies), Richard Travis (Paul), Helmut Dantine (Major Kamenev), Victor Francen (Vyshinsky, chief trial prosecutor), Henry Daniell (Minister von Ribbentrop), Barbara Everest (Mrs. Litvinov), Dudley Field Malone (Winston Churchill), Roman Bohnen (Mr. Krestinsky), Maria Palmer (Tanya Litvinov), Moroni Olsen (Colonel Faymonville), Minor Watson (Loy Henderson), Vladimir Sokoloff (Mikhail Kalinin, USSR president), Maurice Schwartz (Dr. Botkin) and Joseph E. Davies (Himself).
|THIS FILM IS ALSO DISCUSSED IN SUM UP | ELEANOR PARKER, PART 1: DREAM FACTORY.|