Tag Archives: Denise Richards

The World Is Not Enough (1999, Michael Apted)

Denise Richards is not convincing as a nuclear physicist. That statement made, Apted might get her best performance ever in this film. It’s still awful. Her lack of charisma is painful; one has to wonder how Brosnan and Apted were able to put up with it, given the rest of the film’s considerable accomplishments.

The World is Not Enough probably has ten great action sequences. Something about Apted’s direction lets him ground the general Bond absurdity and create these transfixing sequences. Not all of these scenes are important–there’s a couple for pure padding purposes–but Apted makes them work. Given he’s not known as an action director, it’s interesting to see his sensibilities translate so well to the genre.

Besides the direction, the film’s got a pretty solid script. It’s got some goofiness–it’s not particularly believable Judi Dench is a sentimental moron–but it’s fine. There’s some smiles, if not laughs, and it moves well.

And besides Richards, the supporting cast is excellent. Sophie Marceau gets the primary female role and does well with it. The other principle is Robert Carlyle, who gives one of his great, chameleon performances here. While it might have been simpler just to mimic his Trainspotting performance, he instead creates a nearly sympathetic, utterly evil villain. And Robbie Coltrane’s back. He’s hilarious.

The film survives Richards mostly thanks to Brosnan, who carries the weight of their scenes all himself. But he’s also just very assured here.

Still, I can’t help wondering who else auditioned for Richard’s role.

2/4★★

CREDITS

Directed by Michael Apted; screenplay by Neal Purvis, Robert Wade and Bruce Feirstein, based on a story by Purvis and Wade and characters created by Ian Fleming; director of photography, Adrian Biddle; edited by Jim Clark; music by David Arnold; production designer, Peter Lamont; produced by Michael G. Wilson and Barbara Broccoli; released by Metro-Goldwyn-Mayer.

Starring Pierce Brosnan (James Bond), Sophie Marceau (Elektra King), Robert Carlyle (Renard), Denise Richards (Dr. Christmas Jones), Robbie Coltrane (Valentin Zukovsky), Desmond Llewelyn (Q), John Cleese (R), Maria Grazia Cucinotta (Cigar Girl), Samantha Bond (Miss Moneypenny), Michael Kitchen (Tanner), Colin Salmon (Robinson), Goldie (Bullion), Serena Scott Thomas (Dr. Molly Warmflash) and Judi Dench (M).


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Starship Troopers (1997, Paul Verhoeven)

The only “real” pro-war movie I can think of is The Green Berets. But Starship Troopers is also pro-war, even if it’s, well, startlingly so. I mean, the scene where Casper Van Dien grins after getting his battlefield promotion, following a colleague’s horrific death, is a fine example.

What Verhoeven does here, in Starship Troopers, is directed the finest made “science fiction” film–and those quotations just generalize, meaning a film set in the future in space with spaceships–since 2001. Really. No one else has ever done as competent of space scenes since Kubrick. It’s stunning. Verhoeven’s no innovator here–he borrows liberally from 2001, the Star Wars movies (a little) and the Star Trek movies (a lot)–but he mixes them together into something astounding. I once called, without being familiar with the novel, Starship Troopers the sci-fi hit (i.e. the Star Wars) if the Nazis had won. And it is–not just in terms of setting (the gloriously fascist future), but in terms of its approach to narrative. Neumeier and Verhoeven do an amazing job with this film’s structure–it’s impossible not to cheer at the end and never to once question what one’s cheering.

Even the cardboard acting from “90210” and “Melrose Place” guest stars (Van Dien, Dina Meyer, Denise Richards and Patrick Muldoon all appeared on those Shakespearian actor spawning grounds) is somehow perfect–Starship Troopers is certainly Verhoeven’s best film since Robocop and the most deceptively postmodern blockbuster film ever made.

4/4★★★★

CREDITS

Directed by Paul Verhoeven; screenplay by Edward Neumeier, based on the novel by Robert A. Heinlein; director of photography, Jost Vacano; edited by Mark Goldblatt and Caroline Ross; music by Basil Poledouris; production designer, Allan Cameron; produced by Alan Marshall and Jon Davison; released by Tri-Star Pictures.

Starring Casper Van Dien (Johnny Rico), Dina Meyer (Dizzy Flores), Denise Richards (Carmen Ibanez), Jake Busey (Ace Levy), Neil Patrick Harris (Carl Jenkins), Clancy Brown (Sgt. Zim), Seth Gilliam (Sugar Watkins), Patrick Muldoon (Zander Barcalow), Michael Ironside (Jean Rasczak), Rue McClanahan (Biology Teacher), Marshall Bell (General Owen) and Brenda Strong (Captain Deladier).


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