Tag: Cliff Martinez

Pump Up the Volume (1990, Allan Moyle)

Everything director Moyle does in Pump Up the Volume builds the rest of the film. It’s not exactly he’s building good will, he’s shaping the possibilities of the film. It makes for a film where you can have a car chase, a comic relief moment, an inspirational message and a quiet character moment all in the same five minutes.

For example, while Christian Slater is definitely the film’s lead, it’s questionable whether or not he’s the protagonist in the traditional sense. He guides the viewer through the film far less than his romantic interest, Samantha Mathis. Moyle isn’t doing a character study or even an epical high school student story. It turns out he’s doing a story about a high school and finding the most interesting people in it, while focusing harder on a couple of them.

The film’s construction is brilliant, down to how to opening titles establish the ground situation and some of Slater’s character. In the first half of the film, Moyle gives Slater a bunch of monologues, which Slater nails, but these sequences are also extremely well-constructed by Moyle and editors Larry Bock and Janice Hampton. They’re transfixing. Volume succeeds because Moyle figures out a way to make Slater’s pirate radio DJ just as compelling to the viewer as the film’s characters.

Slater and Mathis are both fantastic. Lots of great supporting performances–Billy Morrissette, Ellen Greene, Scott Paulin and Annie Ross are standouts.

Moyle crafts Pump Up the Volume precisely and to great success.

4/4★★★★

CREDITS

Written and directed by Allan Moyle; director of photography, Walt Lloyd; edited by Larry Bock and Janice Hampton; music by Cliff Martinez; production designer, Robb Wilson King; produced by Rupert Harvey and Sandy Stern; released by New Line Cinema.

Starring Christian Slater (Mark Hunter), Samantha Mathis (Nora Diniro), Ellen Greene (Jan Emerson), Scott Paulin (Brian Hunter), Mimi Kennedy (Marla Hunter), Cheryl Pollak (Paige Woodward), Billy Morrissette (Mazz Mazzilli), Andy Romano (Murdock), Anthony Lucero (Malcolm Kaiser), Robert Schenkkan (David Deaver) and Annie Ross (Loretta Creswood).

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Wicker Park (2004, Paul McGuigan)

Wicker Park is a psychological drama, not thriller. While director McGuigan occasionally uses thriller-like foreshadowing or ominous sections, Park never forecasts its narrative. Protagonist Josh Hartnett skips an important business trip to China to search for an ex-girlfriend, but he does it all where he lives. The film takes place over three or four days in Chicago, where Hartnett lives, yet he’s outside his regular life.

He’s hanging out with Matthew Lillard, a friend he hasn’t seen in years, and pretending to his current girlfriend he’s in China. There are multiple flashbacks explaining the ex-girlfriend (played by Diane Kruger). McGuigan and editor Andrew Hulme use generic transitions between past and present, but between the acting and Cliff Martinez’s score, Park never feels quite in one time or another. It’s never confusing to the narrative, it’s just always clear Hartnett’s character is existing contemporaneously in both times.

Most of the acting’s excellent–Rose Byrne is fantastic, Hartnett’s great. Lillard’s good, even though his character’s dreadfully underwritten. Except in a film with four principals and almost no supporting cast, a weak link hurts.

Kruger is awful. She’s incapable of affect or personality. Her performance severely hurts Park.

McGuigan seems to realize it, because the finish makes up for Kruger with nothing more than music and editing and placement of actors. McGuigan always keeps the film objective, which helps with that timelessness. It also means he can sell a wholly artificial ending on nothing but technical quality.

And he does.

2.5/4★★½

CREDITS

Directed by Paul McGuigan; screenplay by Brandon Boyce, based on a screenplay by Gilles Mimouni; director of photography, Peter Sova; edited by Andrew Hulme; music by Cliff Martinez; production designer, Richard Bridgland; produced by Andre Lamal, Marcus Viscidi, Gary Lucchesi and Tom Rosenberg; released by Metro-Goldwyn-Mayer.

Starring Josh Hartnett (Matthew), Rose Byrne (Alex), Matthew Lillard (Luke), Diane Kruger (Lisa), Christopher Cousins (Daniel), Ted Whittall (Walter) and Jessica Paré (Rebecca).

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