This issue’s probably the best. Yost figures out how to summarize and capsulize a part of the source novel. He’s able to create a momentous vignette, one with lots of epical plot consequences.

However, it’s a story for a longer series–if he’d had twelve issues instead of five–and, at the final issue of the series, it’s too little, too late.

Marvel’s handling of the adaptation (series length and hiring Ferry aren’t Yost’s fault) is the problem. They’ve created an adaptation no one who hasn’t read the source novel would be able to understand. But it’s also an adaptation fans of the source novel probably won’t support because of all the abbreviating.

This issue also features more of Ferry’s lazy art, though there is some cool scenery. There’s a two or three page talking heads scene and Ferry’s incapable of keeping it going.

The series remains an interesting failure.

CREDITS

Writer, Christopher Yost; artist, Pasqual Ferry; colorist, Frank D’Armata; letterer, Cory Petit; editor, Jordan D. White; publisher, Marvel Comics.

Yost seems to be getting it. By it, I mean how to adapt. He doesn’t resolve the previous issue’s cliffhanger, which means he doesn’t give the reader information about supporting cast–Ferry’s still inept at differentiating, so why bother–but he also doesn’t explain the battle game.

Instead, details about the battle game come out organically in the story. Sure, there’re a few sentences of exposition, but they’re brief and in a lecture so they work.

Still, it’s hard to support the series. Yost isn’t making the same mistake he made last issue, but he hasn’t all of a sudden made Ender’s Game good. As a writer, one can see he’s just cashing a paycheck. I don’t think he shows interest in a single element of this issue.

And Ferry’s no more engaged. Without anything to design (with one exception), he’s just drawing mediocre action and abbreviated talking heads pages.

CREDITS

Writer, Christopher Yost; artist, Pasqual Ferry; colorist, Frank D’Armata; letterer, Cory Petit; editor, Jordan D. White; publisher, Marvel Comics.

From the first page, Yost starts having adaptation problems. He’s artificially breaking a novel into issues, which means it has no flow to it. There’s no gesture to the issue. He can’t even come up with a good cliffhanger.

Worse, he’s now summarizing enough scenes Ferry can’t keep it straight. Some of those problems aren’t from Yost though. Ferry has one scene where he loses track of the characters in it. An indeterminate amount of time passes from panel to panel; it’s often confusing.

And since most of the characters are kids, Ferry’s stylistic choices fail. It’s impossible to keep them apart.

Maybe the worst is the final scene, when all the kids are in battle suits and there’s no way to tell them apart. But even if they were distinguishable, Ferry can’t make the action make sense. It’s too much going. He’s not an action artist, he’s a designer.

CREDITS

Writer, Christopher Yost; artist, Pasqual Ferry; colorist, Frank D’Armata; letterer, Cory Petit; editor, Jordan D. White; publisher, Marvel Comics.

Why turn a novel into a comic book? I don’t mean that question to dismiss Ender’s Game but to frame the discussion. There’s a point in adapting movies… advertising. But to adapt a successful novel?

It’s an interesting idea and Christopher Yost does fine. He basically keeps the novel’s dialogue, just cuts down the scenes, leaving only the salient events.

The real star is Pasquel Ferry. The art is stylized and design-heavy, but it’s always interesting. He mixes different future styles, not really creating but throwing it all in a pot. Ferry’s Ender’s Game looks like old magazine ads for the future. Visually, the comic is always engaging.

Between Yost and Ferry, the violence is handled half well, half not. Ferry can’t illustrate the psychological violence and Yost is pretty constrained too… he only does dialogue. He can’t sell the fear.

It’s an interesting project, but not particularly compelling.

CREDITS

Writer, Christopher Yost; artist, Pasqual Ferry; colorist, Frank D’Armata; letterer, Cory Petit; editor, Jordan D. White; publisher, Marvel Comics.