
For a while, Kong on the Planet of the Apes is kind of fun. Writer Ryan Ferrier is doing a direct sequel to the original movie, but with Queen Kong on the shore just behind the Statue of Liberty. Roddy McDowell and Kim Hunter are still under house arrest for helping Charlton Heston. It’s an interesting way to do the crossover–Ferrier’s doing a sequel as subplot.
Plus there are a few moments where Dr. Zaius reminds, alternately, of Robert Armstrong and, yes, Charles Grodin. Kong on the Planet might be an Apes sequel, but it also has a lot of King Kong-related feels.
Basically the remaining cast of the first movie goes on the Kong hunt expedition. Zira writes about the ocean voyage. They land at another ape settlement and get provisions and hear tales of the dreaded giant apes.
By the end of the issue, they’re at Skull Island and artist Carlos Magno is drawing a terrible Kong. Some of the mystery is gone. But hopefully next issue will have enough oddity factor to get it through. Ferrier’s script falls off once they’re underway at sea. He’s going to have to reestablish the book real quick next issue.
As for Magno’s art? Sometimes it’s good, sometimes it’s not. He’s too concentrated on lines. His faces aren’t distinct. They’re busy but not distinct. It’s a talky comic, knowing a character from sight is important. And Dr. Zaius never looks the same from panel to panel. There’s always something a little off.
Anyway. It’s worth at least another issue. It’s going to be six issues; Ferrier makes the case for about three here. So two’s going to be important.
For a while, Kong on the Planet of the Apes is kind of fun. Writer Ryan Ferrier is doing a direct sequel to the original movie, but with Queen Kong on the shore just behind the Statue of Liberty. Roddy McDowell and Kim Hunter are still under house arrest for helping Charlton Heston. It’s an interesting way to do the crossover–Ferrier’s doing a sequel as subplot.
There’s simultaneously too much and not enough going on. Asmus doesn’t do any character development, just more revelations in the political intrigue. He hasn’t built the foundation for it. While Magno has some beautiful composition for the still moments, the action’s messy. Kong’s a lot of work.
Giant apes are more interesting than political intrigue, even political intrigue involving multiple betrayals. These betrayals all happen during a crisis and all happen with characters it’s impossible to really care about because we’re three issues into Kong of Skull Island–the title does now make awesome (and plural) sense, however.
This issue of Kong of Skull Island is a moderate disappointment. The book was off to a surprisingly strong start after its premiere issue, only to stumble through every page of this second one. Occasionally, Asmus and Magno hit a stride for a couple pages, but there’s always another drop off. Asmus loses his strong protagonist for the issue, whether she’s present or not. The opening has her, but it’s a mess of an action scene. Magno has some really cool art of the Kong, but not much else. He’s rushing through what should be the character moments.
So, when Dark Horse released Kong: King of Skull Island over ten years ago, I bought it. It wasn’t cheap. And I read it. It wasn’t good. Kong of Skull Island is based on that “illustrated novel.” (It was by Joe DeVito).