Tag: Anne Revere

The Thin Man Goes Home (1945, Richard Thorpe)

The Thin Man Goes Home is very genial. It would be hard for it not to be genial given some of the supporting cast is around just to be genial–familiar character actors like Edward Brophy, Donald Meek and Harry Davenport are around to be likable. And why shouldn’t William Powell and Myrna Loy heading to small town U.S.A. be genial? Of course, there’s a murder mystery, but director Thorpe manages to keep the investigation of it amusing too.

The film’s problem is the geniality is the important thing, not just an approach to the story. Thorpe does really well with some of the comedic set pieces–the Grand Central Station sequence at the beginning, followed by a great packed train car sequence, then there’s a later one with Loy trailing Brophy to comic effect. He does great with Loy and Powell’s few scenes together too. Eventually their visit to Davenport and Lucile Watson (as Powell’s parents) and the murder mystery make it hard to make time for scenes together.

At least, it’s hard for Robert Riskin and Dwight Taylor to figure it out in the script, which is strange, since it’s a really breezy piece of writing. Between Powell acting without sensible motivation, one large subplot being entirely ignored and then a few characters forgotten about, the script’s Home’s biggest problem.

Powell and Loy are good, though she gets much better scenes, and the supporting cast is fine.

After being a reasonably successful entry, the third act is a complete disaster.

One Crowded Night (1940, Irving Reis)

One Crowded Night opens strong enough–a Mojave desert motel and lunch counter, run by a family with a past, with employees with romantic woes. It’s an RKO B-picture, as the most recognizable people in the cast are bit players from bigger films. It’s filmed on location (at the motel) and it starts centered around Anne Revere’s character, which gets it that “strong enough” comment. Revere plays a woman whose husband’s in prison and she’s dropped out from her former life. At first, it sounds like he did it, then we find out he was framed. Once I heard it was an unjust imprisonment, I knew Crowded Night was going to get into trouble, but she’s real good anyway. Unfortunately, she doesn’t remain the focus… especially not after the husband shows up.

If it had been about the women, Crowded Night could have been excellent. All of the female actors are good, with Revere and Billie Seward standing out. Seward’s particularly exceptional. Crowded Night was one of her last films, after a number of Westerns, and it’s worth seeing just for her performance. Another reason it should have concentrated on the women is the men. None of the male actors are good, only a couple are mediocre–though Steve Pendleton approaches having a good scene–and the two most important, Charles Lang and Paul Guilfoyle, are terrible.

The film’s constructed to solve a problem–it’s a sixty-eight minute deus ex machina, in fact–and all the added complications take away from what works. Oddly, the film was never predictable past the unbelievably fortuitous set-up. Characters remained in peril throughout, making for a tense last ten minutes. The director, Irving Reis, did go on to bigger films, which is no surprise, since much of One Crowded Night is well-directed. At first I thought it wasn’t, then I realized it’s just the editing. The film has the worst cuts between shots I’ve ever seen. They’re eyesores and until I caught on, I blamed it all on Reis. Actually, the bad taste from the edits was carrying over into his good work.

So, for a sixty-eight minute B-picture, One Crowded Night is fine. Seward and Revere make up for the film’s acting and writing deficiencies and Reis is just a bonus.

1.5/4★½

CREDITS

Directed by Irving Reis; screenplay by Ben Collins and Arnaud d’Usseau, based on a story by Ben Holmes; director of photography, J. Roy Hunt; edited by Theron Warth; produced by Cliff Reid; released by RKO Radio Pictures.

Starring Billie Seward (Gladys), William Haade (Joe Miller), Charles Lang (Fred Matson), Pamela Blake (Ruth Matson), J.M. Kerrigan (Brother ‘Doc’ Joseph), Paul Guilfoyle (Jim Andrews), Anne Revere (Mae Andrews), Gale Storm (Annie Mathews), Dick Hogan (Vince Sanders), George Watts (Pa Mathews), Emma Dunn (Ma Mathews), Don Costello (Lefty), Steve Pendleton (Mat Denlen), Casey Johnson (Bobby Andrews), Harry Shannon (Detective Lt. McDermott) and Ferris Taylor (Detective Sgt. Lansing).

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