The Fury of Firestorm, The Nuclear Man 37 (July 1985)

The Fury of Firestorm, The Nuclear Man #37Not a good issue. Joey Cavalieri fills in on writing the main story, which has Ronnie’s nightmares informing his Firestorm adventure. It never gets explained how his nightmares could be so important to a Firestorm adventure, but it involves alien life forms so it shouldn’t be hard.

Cavalieri tries too hard to give the story gravity and weight but there’s a framing sequence informing the reader it’s a flashback. So who cares?

Alex Niño pencils the story, with Duncan Andrews inking, and it’s a vaguely psychedelic experience. Niño and Andrews go crazy with the details but there’s no sense of composition, not to mention a complete lack of natural transitions between panels.

The framing sequence isn’t much better, with Kayanan getting two inkers to replace Alan Kupperberg. Only all new inkers Ian Akin and Brian Garvey bring are flat, awkward faces and strange body parts.

It’d work with better art.

C 

CREDITS

Not In Our Stars But In Ourselves!; writers, Gerry Conway and Joey Cavalieri; pencillers, Rafael Kayanan and Alex Nino; inkers, Ian Akin, Brian Garvey and Nino; colorist, Nansi Hoolahan; letterer, Duncan Andrews; editor, Julius Schwartz; publisher, DC Comics.

The Fury of Firestorm, The Nuclear Man 31 (January 1985)

The Fury of Firestorm, The Nuclear Man #31George Tuska seems an unlikely guest penciller for Firestorm. He makes the whole thing look like a New Gods comic. But it works. Between Tuska's action-based take on the characters and events and Conway's willingness to cut around through the story, it's an exceptional issue.

In many ways, with Conway shedding the high school stuff and a lot of Martin's science stuff (but this issue does resolve the ex-wife subplot), Firestorm is a lot tighter. Sure, he's basically a supporting cast member in Firehawk's story (Conway really loves tying subplots together), but it works for the comic. It lets Conway do good superhero action without promising actual character development.

There's also the villain, Mindboggler, who gets a nice story arc this issue. Tuska doesn't do a lot of detail on faces, but somehow he and inker Alex Nino get the subtle emotions across.

It's an outstanding, rather unexpectedly produced issue.

A- 

CREDITS

A Mind of Her Own…; writer, Gerry Conway; penciller, George Tuska; inker, Alex Nino; colorist, Nansi Hoolahan; letterer, Bob Lappan; editors, Janice Race and Conway; publisher, DC Comics.

Batman: Black and White 2 (December 2013)

285308 20131002151735 largeWhile Dan DiDio and J.G. Jones’s story is good–though Jones is a little static and one has to question whether Batman should really be allowing Man-Bat to eat people, even if they are really bad guys–it’s also the only decent story in the issue. The rest are atrocious.

Rafael Grampá, who has a very indie style until he apes Paul Pope’s Batman, does this terrible little story with the Joker and then a big reveal at the end. Awful narration.

Rafael Albuquerque does something similar, just without narration and it makes a little less sense. Batman in purgatory, confronting his past. Dumb final reveal, bad sting.

Then Jeff Lemire goes for the heavy narration too–about Thomas Wayne mostly–set against Alex Nino’s nearly incomprehensible action art.

The last story, with lovely Golden Age inspired art from Dave Bullock, has an idiotic script from Michael Uslan.

CREDITS

Manbat Out Of Hell; writer, Dan DiDio; artist, J.G. Jones; letterer, Travis Lanham. Into the Circle; writer and artist, Rafael Grampá; letterer, Steve Wands. A Place in Between; writer and artist, Rafael Albuquerque; letterer, Sal Cipriano. Winter’s End; writer, Jeff Lemire; artist, Alex Niño; letterer, Dezi Sienty. Silent Night… Unholy Night!; writer, Michael Uslan; artist and letterer, Dave Bullock. Editors, Camilla Zhang and Mark Chiarello; publisher, DC Comics.

Dark Horse Comics 16 (December 1993)

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I feel like I need to send Dan Jolley a thank you letter for making this issue of Dark Horse Comics tolerable. Well, for his Aliens story anyway. It’s got an unexpected conclusion. There’s not a lot of story—it’s a chase sequence and a resolution—but Jolley plays with expectations a little. Nadeau and Pallot do fine on art.

Naifeh and inker Alex Nino, however, are even worse this issue than last on their Thing story. Not the mention Martin’s conclusion is mildly inexplicable. It’s too bad Dark Horse didn’t keep their creators on the Thing comics consistent. Martin really doesn’t cut it, when it comes to plotting. I guess his dialogue is fine, but the art’s so ugly it’s hard to even look at the story.

As for Charles Moore, D. Alexander Gregory and Rob Hayes’s Predator with gangsters in the forties?

The art’s good. Moore’s writing isn’t.

CREDITS

Predator, The Hunted City, Part One; writer, Charles Moore; penciller, D. Alexander Gregory; inker, Rob Hayes; colorist, Gregory Wright; letterer, Bill Pearson. Aliens, Cargo , Part Two; writer, Dan Jolley; penciller, John Nadeau; inker, Terry Pallot; colorist, James Sinclair; letterer, Clem Robins. The Thing From Another World, Questionable Research, Part Four; writer, Edward Martin III; penciller, Ted Naifeh; inker, Alex Nino; colorist, Ray Murtaugh; letterer, Robins. Editors, Randy Stradley and Martin; publisher, Dark Horse Comics.

Dark Horse Comics 15 (November 1993)

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Well, when Naifeh’s art falls off, The Thing gets a lot less interesting. Martin falls into the same tropes the pervious series did (even though Martin ignores them)—repeating the plot points in the Thing movie, only in a new setting. But Naifeh’s the disappointment here. It doesn’t even look like his work.

Barr and Rader finish up The Mark. Barr seems to let Rader just take over and create this homage to a film noir, only in color. It reminds a lot of M. The installment ends on a soft cliffhanger, preparing for a limited series, and it’s unnecessarily confusing.

Dan Jolley, John Nadeau and Terry Pallot contribute an Aliens story. It’s perfectly fine (compared to The Thing). Jolley concentrates on his first person narration; he does a good job with it, combining a natural tone with his exposition. Nadeu and Pallot are competent, what I expect from Aliens.

CREDITS

The Thing From Another World, Questionable Research, Part Three; writer, Edward Martin III; penciller, Ted Naifeh; inker, Alex Nino; colorist, Ray Murtaugh. The Mark, Part Two: What Goes Around; writer, Mike W. Barr; artist, Brad Rader; colorist, John A. Wilcox. Aliens, Cargo , Part One; writer, Dan Jolley; penciller, John Nadeau; inker, Terry Pallot; colorist, James Sinclair. Letterer, Clem Robins; editors, Bob Schreck, Dan Thorsland, Randy Stradley and Martin; publisher, Dark Horse Comics.