Ok, the next Unknown series? That series might be okay, because Catherine whatever-her-name-is is going to be all messed up with the brain tumor and seeing wacky stuff all the time. It might make the mysteries interesting, but Waid’s steady reliance on Heaven and Hell for all answers certainly isn’t making the series engaging. He…

It must be nice being the editor-in-chief at the company where you write comics, because then you can get away with a silly issue like this one. It’s not bad–I mean, it’s bad, but it’s not really bad–it’s not stupid, for instance, it’s just poorly handled. Waid puts the surprise ending in the third issue…

Ugh. Okay, on the good side, Waid seems like he’s going to leave Doyle dead (which brings up the further question–why did Waid bother creating the character to kill him on his fifth issue, it’s kind of like what’s her face in The Dark Knight). Additionally, Allingham’s a lot less obnoxious when she’s not all-knowing.…

No way, Waid came up with a genuinely compelling mystery? The setting is lame (Italy?) but the way it plays out is like a solid film noir, even if the art’s still problematic. Oosterveer seems to have improved at the beginning, but it’s not long before he’s drawing Doyle like Gorilla Grodd’s albino twin brother…