The series isn’t terrible; it has cute finish. Not a particularly successful one, but a cute one. There’s a lot of goofiness, not just in the narrative but in the handling of it. For example, when Disney gave Boom! the kids comic license, were they aware Boom! was going to do a page and a…

Beedle comes closer to–no pun intended–making a bullseye this issue than the previous two suggested he was capable of doing. There’s some of the silly anachronisms, but even they don’t stand in the way of it finally turning into a Robin Hood story. I can’t remember if the archery contest is a Robin Hood standard…

The second issue is more of the first, but with more of the primary Muppets. What’s with Gonzo, by the way? It seems like no one can draw Gonzo to really resemble the actual Muppet? The best thing about this issue are Johnny Fiama and Sal. Johnny’s playing the evil prince and Sal’s there too.…

I guess they don’t get it. I mean, maybe they do, but maybe not. Muppet Robin Hood reminds me of one of those licensed properties where they have a partial license, like when Dark Horse had The Terminator but not Terminator 2 and so couldn’t refer to it. Muppet Robin Hood plays like an overlong…