Bangkok Revenge (2011, Jean-Marc Minéo)

About the only inventive thing in Bangkok Revenge–and I doubt writer-director Minéo uses it for this reason–is lead Jon Foo being unable to experience emotion. It means Foo doesn’t have to give a particularly good performance. He just has to deliver his lines and he does. He’s not a bad guy, of course, quite the opposite. Corrupt cops killed his parents and now he’s grown up (the brain damage is from the attack) and seeking, you guessed it, revenge.

In Bangkok.

Otherwise, Minéo’s atrocious. He can’t compose a shot, he can’t come up with good fight scenes (he amps up the stylizing to fake ingenuity), he can’t direct actors. He also has a lot of the film in English, but only Foo seems to be able to speak it. His mentor, Kowitch Wathana (in a terrible performance), mangles every line of English dialogue he’s got. He seems completely fluent in Thai, but Minéo seems more concerned with international distribution than a decent picture.

Caroline Ducey, as the erstwhile love interest, butchers her English dialogue too. Minéo would have done a lot better if no one in Bangkok spoke the same language or really understood one another. It would have made for a far more entertaining film.

Somewhat surprisingly–given Minéo’s profound incompetence–are the photography and music. Teerawat Rujinatum shoots DV quite well and Christophe Gerber’s score is professional.

Occasionally (and rather momentarily), Revenge has a moment with marginal potential. But, every time, the incompetence returns immediately.

0/4ⓏⒺⓇⓄ

CREDITS

Written and directed by Jean-Marc Minéo; director of photography, Teerawat Rujinatum; edited by Hugo Picazo and Nicolas Sarkissian; music by Christophe Gerber; produced by Cédric Jimenez; released by China Lion Film Distribution.

Starring Jon Foo (Manit), Caroline Ducey (Clara), Michaël Cohen (Simon), Aphiradi Phawaphutanon (Chanticha), Winai Kraibutr (Samat), Kowitch Wathana (Adjan), Lioutsia Goubaidoullina (Jessy), Julaluck Ismalone (Ying) and Thiraphong Riawrukwong (Superintendent).


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The Samurai of Ayothaya (2010, Nopporn Watin)

If you happened across The Samurai of Ayothaya and missed the terrible opening expository narration, you might think you found an awesome martial arts movie about a bunch of Thai Freddie Mercury impersonators in a Battle Royale situation.

Sadly, you did not. You instead found a terrible mix of a military thriller and a martial arts historical drama.

There’s nothing to recommend Ayothaya, except possibly its under two hour runtime, but the script’s the worst part of it. Every moment, every line, is either foreshadowed or just generally predictable. Director Watin really likes to speed up and slow down the film for emphasis, just in case you miss the utterly obvious events transpiring onscreen. If there were anything good about Ayothaya, Watin’s approach might suggest disgust for the viewer. But no… his filmmaking appears to be entirely earnest in its awfulness.

Lead Seigi Ozeki apparently got the job based on his bangs–he lets them do most of his acting. They don’t do a good job.

Watin’s not just bad at directing actors or its martial arts fight scenes (which are awful too), he’s generally incompetent at composition too. Chuchart Nantitanyathada’s weak photography doesn’t help either. All of Ayothaya is glossy, with hard bright lights. The film’s ostensibly going for realism; not as far as the lighting apparently. Watin’s trying to make it all look so cool and it’s impossible when the actors can’t even react naturally.

Ayothaya isn’t quite Ed Wood… but only because of CG and a budget.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Nopporn Watin; written by Watin, Thanatat Kongthong, Thanawat Thirayaowapapong and Viroj Sukchu; director of photography, Chuchart Nantitanyathada; edited by Sunshine Manooratana; music by Paphatsin Ketawongwat and Padej Boonlon; production designer, Anan Wantippa; produced by Salinee Phakdeephol; released by Mahagaap.

Starring Seigi Ozeki (Yamada Nagamasa), Kanokkorn Jaicheun (Jumpaa), Sorapong Chatree (Phra Khruu), Winai Kraibutr (King Naresuan), Thanawut Ketsaro (Khaam) and Buakhao Paw Pramuk (Ai-Seua).


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