Adventures in Babysitting (1989, Joel Zwick)

Given the abundance of terrible television sitcoms, seeing what kind doesn’t make it past pilot stage should be interesting. But it’s not. “Adventures in Babysitting” is a semi-sequel to the movie–with David Simkins, the original writer, co-writing the pilot. It recasts every role.

It’s fairly clear why “Babysitting” didn’t make it to series, though mixing a sitcom with “Double Dare” in front of a live studio audience isn’t necessarily a terrible premise.

Lead Jennifer Guthrie is awful and unlikable. Brian Austin Green and Joseph Lawrence play the rambunctious teenagers. Green’s worse than Lawrence, which isn’t a compliment to Lawrence in any way. Ariana Mohit’s awful as Guthrie’s friend, but not as wholly unlikable.

The only good performances are Courtney Peldon as the Thor obsessed eight year old and Art Evans (who’s able to deliver the terrible lines wonderfully) as Mohit’s boss.

“Babysitting” is a horrific eighties curiosity.

Second Sight (1989, Joel Zwick)

There are some funny lines in Second Sight. Not many, but some. And they’re good, laugh out loud lines. It’d be hard for John Larroquette, reacting to Bronson Pinchot acting like an idiot, not to get some laughs.

The whole thing feels like a “what I did on summer hiatus” for Larroquette and Pinchot. It’s impossible not to think about their television series when watching the film, though the Boston location shooting does help. Director Zwick is rather boring, but the film’s visibly shot on location, so regardless of his inability, the film does have a fair amount of texture.

Stuart Pankin rounds out the trio–Pinchot’s the wacky guy, Larroquette’s the straight man (just like their TV shows) and Pankin’s sort of the second straight man. He’s mostly support for Pinchot, but manages to have a bigger role. Pinchot does voices, acts goofy and does manage to be funny a couple times. Larroquette’s somewhat sturdy, a character actor thrown into a leading man role. He’s competent.

What Second Sight does right (rhyme unintentional) is portray Pinchot’s psychic abilities (complete with possessions and magic) as matter-of-fact. There’s no discovery of them, they’re real and they’re acknowledged. It makes Larroquette reacting to them a lot funnier.

The movie gets a little tired when it’s handling the case (they’re private investigators) but it’s genial enough as a bland comedy. Bess Armstrong, John Schuck and Christine Estabrook are fine in supporting roles.

A better director probably would have helped a lot.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Joel Zwick; written by Tom Schulman and Patricia Resnick; director of photography, Dana Christiaansen; edited by David Ray; music by John Morris; production designer, James L. Schoppe; produced by Mark Tarlov; released by Warner Bros.

Starring John Larroquette (Wills), Bronson Pinchot (Bobby), Bess Armstrong (Sister Elizabeth), Stuart Pankin (Preston Pickett Ph.D.), John Schuck (Manoogian), James Tolkan (Coolidge), William Prince (Cardinal O’Hara), Michael Lombard (Bishop O’Linn), Christine Estabrook (Priscilla Pickett) and Marisol Massey (Maria).


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