The Witcher (2019) s02e04 – Redanian Intelligence

Lots goes on this episode, including the return of a season one regular, the return of a season one guest player, and a new political intrigue subplot. Still, nothing’s more important than the Kevin Doyle guest spot. It’s the episode of “The Witcher” with Mr. Molesley from “Downton.” Everything else is secondary.

The episode opens with Henry Cavill training Freya Allan in the mountains. They’re running along in helicopter shots, and I really wanted Cavill to yell out, “This is the Quickening!” But alas, no. Allan will have a good character development arc involving Cavill and Anna Shaffer. Shaffer’s at the Witcher Winter Wonderland because Cavill wants Allan to get training for her magic. Allan’s still slightly distrustful of Cavill as far as her powers go, and the episode does a fine job getting them communicating. In no small part, thanks to the Shaffer’s presence, it helps to have another woman in the Witcher Winter Wonderland, especially one who doesn’t put up with their shit.

Otherwise, it’s kind of a bridging episode. Maybe for everyone but Allan, actually.

Anya Chalotra is still teamed up with Dollar Store Kylo Ren (Eamon Farren), trying to escape the north. They’re going to go to the southern city Farren’s troops captured, which has become a refuge for the elves all the northern kingdoms are rounding up for slaughter; Doyle’s one of the elves. But, only less important because it’s Mr. Moseley, Joey Batey’s the coyote. Batey, still stinging from Cavill ditching him last season—when is unclear, their friendship being one of the confusing parts of the Westworlded narrative structure—is nonetheless still a good guy, and he’s going to help the elves.

Even if he’s got to work with pseudo-nemesis Chalotra. Their bickering might be the most fun “Watcher” has had in season two. Everything else is serious and sad. Batey and Chalotra being cattish is very welcome.

It seems like a done-in-one cameo for Batey until the third act makes it more consequential and potentially derails Chalotra’s arc. It’s very effective and balanced. The episode very nimbly trades Farren for Batey for Chalotra’s sidekick.

The political intrigue involves foppish king Ed Birch, his advisor Graham McTavish, and their pet David Bowie from Labyrinth owl. McTavish is trying to convince Birch to invade the city in the south and take it from Farren’s guys. But first, they’re going to need some intelligence, so they’re going to send Wilson Mbomio (Allan’s elf friend from season one) as a spy.

There’s also a contrived reason for Shaffer not to tell Cavill about Chalotra being alive, some more hints at Allan’s unique heritage and powers, including her blood probably being magic, and then a big team-up for Cavill for next episode.

The episode—“Mr. Moseley from Downton is on the Witcher”—gets a lot done, most of it successfully. Some very good acting from Allan, Chalotra, and Shaffer. And Batey’s return is well-executed.

The Witcher (2019) s02e03 – What Is Lost

It’s old home week on “The Witcher,” with Anya Chalotra getting back to the Mage Fortress just as MyAnna Buring has finally come to terms with Chalotra’s presumed demise. We also find out when Buring tortured Eamon Farren in the season premiere, and they cut away… they cut away from Buring not finding anything out because Farren’s got a magic brainwashing shield. It’s a month later, with absolute dipshit Lars Mikkelsen suspicious because Chalotra’s been gone so long.

Mikkelsen’s a cartoonishly broad villain, which doesn’t play well off anyone else. I can’t remember if it worked better last season, but here he seems silly playing off very serious Buring, Chalotra, and Royce Pierreson. Pierreson’s back from last season, too—it seems like the reason no one was around the last time they were at Mage Fortress was budgetary, not because the characters had an excuse to be anywhere else.

Chalotra’s got some okay bonding scenes with Buring and Anna Shaffer, but she’s got a deep dark secret, which the show’s heavily implied for the audience, and Buring lays out in dialogue about halfway through. Chalotra’s going to have a strange plot arc this episode, getting involved with Buring and Mahesh Jadu’s political machinations. It’s a lousy arc for Buring, who gets progressively less sympathetic as it plays out.

At the Witcher Winter Wonderland, Henry Cavill and Kim Bodnia have been trying to figure out how a plant monster could breach the walls of their fortress. Though when they do establishing shots and show the broken down sections of the fortress, it doesn’t seem like they should be so surprised. It’s a decent investigation arc for Cavill and Bodnia, which also has them bonding over (surrogate) fatherhood.

But all Cavill’s focusing on helping Bodnia has meant he’s not paying attention to Freya Allan or her training. Or Witcher Paul Bullion deciding he’s going to bully Allan and see if he can get her to hurt herself out of trying to be a Witcher. It shouldn’t be hard since Cavill establishes he and the other boy Witchers are all fast-healing mutants, and Allan’s just a regular human who’ll die.

The show keeps at the training sequence long enough to make it an athletic achievement arc for Allan, right before she and Cavill go monster hunting, and she’s able to stay alive, no matter what occurs. The show also gets around to addressing Allan’s secret magical powers and Cavill knowing about them, which is nice they’re not dragging that bit out. It’s a nice sequence for Cavill and Allan, who haven’t done much bonding because they’re at Winter Wonderland.

There’s also some catchup with evil mage Mimi Ndiweni and elf mage Mecia Simson, who are teaming up to take on the good guys. The show seems to be laying the groundwork for the good guys actually being a bunch of racist shitheels, so… potential twist.

The Allan and Cavill material makes up for Chalotra finding herself in a wanting arc. Chalotra’s okay; it’s just the story. Some very good direction from Sarah O’Gorman throughout. It all works out thanks to Chalotra’s plot getting an actually surprising conclusion with a lot of character agency. Not Mikkelsen, who seems like he’s auditioning to play that villain in “The Smurfs,” but otherwise.

It’s a good episode.