Mindhunter (2017) s02e09 – Episode 9

Is Anna Torv leaving the show? Because she might want to leave the show after this episode; she's pointlessly shoehorned in for a brief scene to remind the audience they haven't missed her.

The boss comes back too in a similarly pointless move. A reminder of what came before and there's no need to remind because “Mindhunter” has got nothing left to prove. They're able to drop in a two-part “based on a true story” serial killer procedural and have it succeed. It's a qualified success, mostly because of the race stuff and Jonathan Groff.

See, Groff’s character arc this season is he wants to be a White savior and bureaucracy won't let him. He feels guilty about it but what more can he do… he's too much of a narcissist to actually do anything.

Poor hotel clerk girl gets it worst this episode. She gets to ring Groff’s doorbell to blather at him to set up his pseudo-subplot. Did they not realize how the season was going to go when they hired their recurring cast. Nobody matters once the serial killer procedural takes over. It's just Groff, Hoyt McCallany, the black guy and the suspect.

Suitably great performance from suspect as the suspect they can't quite get.

Some excellent but uncomfortable music choices, strong direction and editing.

When the episode comes to an end—I don't think the show has been renewed for a third season—it's with a nice sense of closure. Lots is still open, but it's open mostly because of the future of serial killer investigation. It's a great subject for a TV show… it's never going to get boring.

Unless Torv keeps dating next season or Joe Tuttle, you know, talks.

Mindhunter (2017) s02e08 – Episode 8

Do you know why Anna Torv got a girlfriend story arc this season? Why we’ve been getting to know Lauren Glazier since the first episode? Is it to give Torv some character development? Because… there isn’t any. I mean, not enough—given how all of the characters function when they’re at work—so not enough to matter. Not enough you couldn’t have removed Glazier’s scenes from every episode and it wouldn’t be any different in the end. The end being as “Mindhunter” intensifies the Atlanta Child Murder case; see, Hoyt McCallany and Jonathan Groff are really doing the first on the ground BSU consult. It’s “Criminal Minds: Year Zero.” And, you know, actually good. And also historical, which is its own thing.

There’s time in the episode for McCallany to go home and check in on wife Stacey Roca, who’s amazing this episode, and son Zachary Scott Ross, who speaks for the first time in what seems like seven episodes. There’s a nice bit of bonding between McCallany and Ross, maybe the first fatherly bit from workaholic McCallany; hopefully it’ll lead to more someday. It works well.

And Groff gets to check in with fetching Black girl Sierra Aylina McClain, possibly sending her the signals but who knows because Groff’s so weird. The most impressive thing about “Mindhunter,” this episode anyway, is how awesome a serial killer investigation movie they make. A “true” one. But it’s very interesting how they’ve kept Groff weird but also backed up the narrative distance on him; he doesn’t get to express his internal life this season. It’s weird. And they foreshadowed it in the second episode.

Maybe it’ll be part of the inevitable season-ending cliffhanger… just one left, after all.

It’s a fantastic hour of television, even if it does turn the second season of “Mindhunter” into a preamble for an awesome serial killer two-parter.

Mindhunter (2017) s02e07 – Episode 7

I mean, it’s well-acted but this episode’s pretty blah for a “Mindhunter.” Nothing happens. We get more hints at character development for Jonathan Groff and Anna Torv but no actual character development. Meanwhile Holt McCallany spends the episode getting later and later from home to work and back again. Stacey Roca instead gets all the things to do on that subplot, one more suburban nightmare after another. Roca’s real good.

And at least Roca gets some attention while being good. June Carryl’s awesome as one of the victims’ moms and director Carl Franklin seemingly refuses to showcase her, whether it’s in a scene with Groff or a public speaking scene or in a big potential reaction shot. It’s very, very strange, especially since the script suggests she’s going to be the focus of that public speaking scene and then Franklin does whatever he can to minimize her. Literally; through long shot.

See, Groff’s come up with this great plan and he’s got to get Carryl’s buy-in on it. Except the great plan isn’t something the FBI is used to doing so there’s a bunch of bureaucracy and the episode skips through that bureaucracy, like it’s started skipping Friday evenings through Sundays—when McCallany is away from Groff—and catching up Monday morning.

With McCallany late, of course.

So McCallany’s character development is he’s late because like’s getting really busy lately. It doesn’t seem like a worthwhile subplot, but it’s a little more engaging than Torv’s ongoing problems with girlfriend Lauren Glazier. Torv’s approaching too strange for Glazier to deal with, which is too bad because their romance hasn’t been bad at all. They—writers, Franklin, Torv—just haven’t figured a way to make her still be likable when she’s being difficult. Not likable to the audience, but likable to Glazier. Torv should’ve already been dumped by now, given her behavior.

Mindhunter (2017) s02e06 – Episode 6

It’s back to Atlanta again for sure this time. And almost some Jonathan Groff stuff… but also some “is this ‘Mindhunter’ or a slasher movie prologue” stuff with Holt McCallany's home life.

There's also another interview for Anna Torv and Joe Tuttle, with Torv once again having to lead the interview. Morgan Kelly plays the interviewee and basically looks just like Corky St. Clair (Christopher Guest) from Waiting for Guffman. It's a little disconcerting, but Kelly does a fine job so it doesn't really matter. And I suppose Tuttle's wet rag performance is fine–I was actually a lot more positive about Tuttle before they started giving him more to do. Juxtaposed against Albert Jones's performance as the Atlanta-based sidekick… Tuttle's just… a wet rag.

As for Atlanta, the scenes consist mostly of Groff telling everyone they're wrong about whatever lead they're following and everyone ignoring Groff and telling him they're going to follow every lead even if it wastes time. How the procedures of a police procedural affect Groff would be a thing if anything made a real dent in Groff's psyche but we're still waiting to see if he's actually going to have any character development.

The closest this episode is when he runs into Sierra McClain again. She was the pretty Black woman who Groff thought was seducing him but was actually introducing him to the mothers of the dead kids. McClain was really good and all, but she's just back to give Groff something to do besides argue with people. The show really needs to commit to not wanting to spend time with Groff while he's not working, which is definitely not ideal given Groff's top-billed, but… he's far more effective as the profiler, far less interesting as the privileged, naive White guy.