Is Anna Torv leaving the show? Because she might want to leave the show after this episode; she's pointlessly shoehorned in for a brief scene to remind the audience they haven't missed her.
The boss comes back too in a similarly pointless move. A reminder of what came before and there's no need to remind because “Mindhunter” has got nothing left to prove. They're able to drop in a two-part “based on a true story” serial killer procedural and have it succeed. It's a qualified success, mostly because of the race stuff and Jonathan Groff.
See, Groff’s character arc this season is he wants to be a White savior and bureaucracy won't let him. He feels guilty about it but what more can he do… he's too much of a narcissist to actually do anything.
Poor hotel clerk girl gets it worst this episode. She gets to ring Groff’s doorbell to blather at him to set up his pseudo-subplot. Did they not realize how the season was going to go when they hired their recurring cast. Nobody matters once the serial killer procedural takes over. It's just Groff, Hoyt McCallany, the black guy and the suspect.
Suitably great performance from suspect as the suspect they can't quite get.
Some excellent but uncomfortable music choices, strong direction and editing.
When the episode comes to an end—I don't think the show has been renewed for a third season—it's with a nice sense of closure. Lots is still open, but it's open mostly because of the future of serial killer investigation. It's a great subject for a TV show… it's never going to get boring.
Unless Torv keeps dating next season or Joe Tuttle, you know, talks.
Leave a Reply