Author: Andrew Wickliffe
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The cop’s narrating again. Not sure why, not after he took an issue and a half off. Writer Jason Hall puts too much on the cop, especially since he gets tricked twice in the issue. One’s plainly clear; the other he should’ve figured out since it happened during the war. But he lacked the critical…
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A couple things to get out of the way again for this episode. During Tatiana Maslany’s perfect beyond words Ferris Bueller “go home already” fourth wall breaking (she’d already inhabited the part, now it’s time for her to bend the devices to her will), she says next episode is the “finale.” They’re doing another scene…
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I’ll disclose I did not go into this episode without expectations. A friend said it was when “She-Hulk” hits its full potential, and he’s entirely correct. I just didn’t realize how much the show was going to include in that potential. This episode gets silly and soulful in a way reminiscent of the Dan Slott…
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It’s one of those Legion of Super-Heroes issues where they’re asshole teenagers (actually much older people pretending to be teenagers to deceive their time-traveling friend Superboy), and it seems more like the Legion of Super-Delinquents. This issue, they assault some theme park owner and terrorize innocent people out of the place so they can create…
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So this issue continues from Giant-Size Chillers, even though the timeline’s off between that comic and the previous Tomb. Writer Marv Wolfman tries to retcon it a little, with the flashback to Chillers showing Dracula talking to his stooge about his Russian holiday, even though the Russian vacation went unmentioned in Chillers itself. The timeline…
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No avoiding Nicholas Ralph’s desire to join up anymore. It’s front and center, complete with the questionable choice of playing instrumental cadences in the background when Ralph’s thinking about it. They only do it twice—maybe three times, and I’ve blocked one—but it’s the worst creative decision I can remember on the show. Thank goodness the…
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While Tom Cruise is most of the show in American Made, it’s not a star vehicle. Star vehicle suggests it’s got somewhere to take him. Made exists because of Cruise’s likable performance, not the other way around. Thanks to that likability, he even gets away with an eighties TV “Louisiana” accent. The film also avoids…
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I wasn’t expecting much from this issue; the team of writer Len Wein, penciller Marshall Rogers, and inker Dick Giordano hasn’t impressed in their one-and-a-fifth (they did a bookend on a reprint) issues of Detective so far. Wein’s writing a sequel to Rogers’s arc with Steve Englehart, trying to maintain continuity, like Batman hallucinating a…
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This episode’s got five writers credited, apparently two different teams (Robin Green and Mitchell Burgess on one, Shaun Cassidy, Michael R. Perry, and Stephen Gaghan on the other). Guild arbitration or extreme fairness? Regardless, World works better than almost anything else with five credited writers; the episode’s all “Gothic”’s strengths, none of its… well, weaknesses…
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Dan Dare’s all about the reassuring, calming presence of the capable colonialism and patriarchy (i.e., the British Empire). I have a feeling it’s going to get even more interesting once Anglophiliac Dan Dare returns to active duty. The original series—the British Buck Rogers—dates back to the fifties, and writer Garth Ennis keeps with the mid-century…
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It’s a Christmas episode—or the closest (I think)—“Murder” has ever gotten. From the first scene, we find out Lucy Lawless is a Grinch, which comes as no surprise. She has a series of rambling complaints about Hallmark holidays, but basically, everyone forgot about her. Except for Ebony Vagulans and Lawless didn’t appreciate it (plus, it…
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Even in 1995, “American Gothic” knew not to cast an actual teenager as the fifteen-year-old Brigid Brannagh plays. It just didn’t know not to still ogle early twenties Brannagh as she plays that teenager. While, sure, it’s Southern Gothic, it’s also contorting itself to allow objectifying Brannagh, even though she’s in constant danger of rape…
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Are self-contained wedding episodes a thing? This episode of “She-Hulk” breaks the fourth wall so Tatiana Maslany can tell the audience it’s one of those episodes. Those being self-contained wedding episodes, which—if they are a thing—I have many questions about. Like do they usually involve random guest stars with no bearing on the series, who’ve…
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I’m not sure Doug Moench read much Werewolf by Night before writing this issue, which has eighteen-year-old Jack Russell walking around talking like a cheap forties gumshoe. Moench also doesn’t seem to know the bad guys kidnapped his sister because she too has the werewolf curse; when Jack goes to rescue her, the bad guy—Baron…
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Despite the title, this episode is not about Allison’s House, though there are technically two houses in the episode Annie Murphy’s protagonist could be possessive about. It’s also not really about Murphy; it is, but it also isn’t. The show’s grown quite a bit since its first episode, with Murphy realizing her life as the…
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There aren’t any big guest stars this episode; it’s all regular cast—including Renée Elise Goldsberry getting a big part after showing up in the background for an episode. Two episodes? Did I sleep through a scene in the first episode where they introduced the law firm staff? Because they really should’ve. Especially since Josh Segarra’s…
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Like they heard my questions, this episode has Rachel Shenton returning to her family farm to check in on things. Sort of. There’s no discussion of whether or not she’s still working at the farm or what’s up with little sister Imogen Clawson (who doesn’t appear in this episode; I keep forgetting this season is…
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Scene of the Crime doesn’t exactly stall out this issue, but it definitely goes into idle. Not sure why I’m doing car references, possibly because of an ill-advised speeding car sequence, which artist Michael Lark visualizes too quickly. Our hero, Jack, has just been to a hippie commune where he’s gotten in trouble, a la…
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Pickup on South Street is not based on a novel; the opening titles have a story by credit for Dwight Taylor, with director Fuller getting the screenplay one. The film’s got a peculiar plotting and roving protagonist, plus some terrific monologues, and I was wondering if they were Fuller or someone else. They’re Fuller. Fuller…
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They do briefly mention Dracula Lives’s impending demise; very, very briefly. It’s an excellent finale, with a couple surprising successes, but—outside a three-page Russ Heath portfolio (two Draculas and a Lilith, with lots of nipple bumps the Code’d never allow)—it’s a very different kind of issue. Besides the letters column (which doesn’t seem to reference…
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Despite having read this comic before, I did not heed Mag the Hag and was surprised when the last story in the anthology really is a straight Greek tragedy. The comic opens with Mag the Hag introducing herself—she’s Shadows’s Crypt-Keeper—and then going on at length about the contents of the issue, including the story of…
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Having returned from his honeymoon and discovering the pleasures of the flesh, Nicholas Ralph is no longer obsessed with enlisting in the Army to fight in World War II. There aren’t even any references to it in the episode. It’s just about the changes at the veterinary hospital, with Samuel West getting annoyed at there…
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Well, they got me. After last episode’s seemingly reductive, overly saccharine stumbles, I thought I’d figured out how “Resident Alien” was going to be closing out season two. I was wrong on most counts. The arc I was most hoping would get some resolution does—it’s something they’ve literally been putting off half the split season,…
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The cover to Trigger Warnings #1 promises a “self contained” story, which is technically accurate–all five issues of Red Room, the first series and now this issue, have been self-contained, but self-contained’s not the same as a good jumping on point. Especially since this issue is a direct sequel to the original Red Room #1,…
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There’s a slight mea culpa feel to this episode, which is really Pilot: Part III. The show’s finally ready to set up the ground situation, for real this time, and it’s going to be more accessible. There aren’t any big CGI set pieces this episode, but there’s more with crows being sheriff Gary Cole’s evil…
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Eve’s Bayou is Southern Gothic, but it’s got a kids’ summer story grafted onto it; by the end, the two genres are working together to great effect. I mean, the end’s got problems, but the way the film gets to it is captivating. The film opens with Tamara Tunie narrating from the future—when she was…
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Almost nothing happens this issue. The cop starts investigating the missing sister, thinking she’s the Creeper. He teams up with her twin, Maddy, for a combination walking tour of Paris and detective snoop. He discovers all the things we saw happen last issue, which isn’t great plotting from writer Jason Hall. Depending on the final…
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Tree picks up immediately after the pilot, only it’s been however many months since they shot the pilot, and now they’re filming for fall airdates. Lucas Black and Sarah Paulson are both a little visibly older, Jake Weber’s got a completely different haircut, Paige Turco’s costumes are better, and Gary Cole’s even eviler. With the…
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In a genuinely startling event, it turns out when it comes to Joe Staton, sometimes you have to fight fire with fire—this issue features Staton’s most successful work. His inker? Vince Colletta. It’s not good art by any stretch, but it’s far more competent and consistent than Staton’s been on the book. Will Colletta be…
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I think this “My Life is Murder” is the most empathetic episode ever. When Lucy Lawless gets to the solution to her murder mystery, there’s a lot she doesn’t like about it and has feels. She also has feels because her brother, Martin Henderson, has gotten out of prison and hasn’t contacted her. He’s the…
The Stop Button 