Carey and Yarar finish the first Barbarella story just right. Barbarella gets half the issue; she’s recovering from the cliffhanger and trying to figure out how to stop the foreign agents from killing all the religious nutjobs’ babies. The other half of the issue is the foreign agents as they execute their plan.
Their scenes create the tension. Barbarella’s scenes create the fun. Starting with her little space Chihuahua. Then she gets a surprise sidekick. Carey has a lot of fun with both.
The Barbarella scenes should nullify the tension–since she’s never deterred or worried–but they don’t. Carey paces the various reveals well and Yarar’s wacky art matches them perfectly. Yarar’s always got a lot of detail, whether it’s in movement or background; it keeps Barbarella distinct without ever slowing the book down. In fact, because of Yarar’s panel transitions, the distinctiveness usually helps the momentum.
And the wrap-up is good. Carey gives the characters time.
Barbarella keeps impressing.