Arclight isn’t just back, Arclight is back and pretty great. There’s a lot of content, thanks to how Marian Churchland paces and composes the art. And Brandon Graham’s terse exposition is fantastic. It feels magical and dangerous and big. Churchland’s art is perfect for big, empty, and dangerous. Graham’s strange organic, magic creatures are imaginative and always used measuredly. It’s almost reassuring in its excellence.
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