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Highlander: The Final Dimension (1994, Andrew Morahan), the European version

About the only complementary thing in Highlander: The Final Dimension is Steven Chivers’s photography. The film’s got a terrible color palette, which isn’t a surprise since all of director Morahan’s decisions are bad, but Chivers never lets the film look cheap. It’s clearly cheap, but Chivers refuses to acknowledge it. It’s kind of cool. But only with a qualifier or two, because the crappy color palettes are a real problem. Most of Morahan’s direction is bad and Chivers does nothing to alleviate its damage on the film.

Well, I suppose there really isn’t much you could do for Final Dimension. A better director would have helped, but only so much. It’s one of those pictures not just without anything going for it, but without anything good in it. Deborah Kara Unger arguably gives the film’s best performance, but only because it’s the least worst. Unless you count Mako, who stands in for Sean Connery in this entry. He manages to keep a straight face opposite Christopher Lambert.

Final Dimension is one of those too craven sequels. It borrows story beat after story beat from the first film–though Unger doesn’t even get to be the damsel in distress, Lambert’s got a little kid to threaten in this entry. As that little kid, Gabriel Kakon is atrocious. No surprise, but Morahan can’t direct actors either. So it’s like watching all the action from the first film done in Panavision by a bad director shooting it in Canada. With photographer Chivers trying so hard to distract from its lack of domestic shooting locations, he just makes the film look terrible to hide it. Like I said, it’s kind of admirable. Chivers can clearly do a better job–lighting this terrible palette takes skills–but he doesn’t. There’s no excelling in the Final Dimension.

As the villain, Mario Van Peebles is almost funny. He’s just strange enough not to be sad, but he’s not strange enough to be interesting. A lot of it is an objectively bad performance. Some of it has the promise of a better performance. Again, Morahan. Also, it’s a terrible script. What is anyone going to do with a terrible script? Unger tries with her crusading archeologist bit but once the film gets her clothes off, it stops giving her anything to do.

Really bad performance from Martin Neufeld as the angry cop who’s after Lambert. Final Dimension fails on every level. It can’t even do bit parts well. It doesn’t have a script going for it, doesn’t have a director, doesn’t have production values (awful music from J. Peter Robinson, bad editing from Yves Langlois), but it doesn’t even have a good casting director. Maybe because there’s no credited casting director.

It’s a movie with a terrible Christopher Lambert performance I don’t even want to pick on. It’s such a bad script, turning Lambert into a nineties action hero dad while more T–800 than Highlander… it’s not a fair fight. Amid all the crappy work in Highlander: The Final Dimension, there apparently can be only one to do the crappiest work and it’s screenwriter Paul Ohl.

0/4ⓏⒺⓇⓄ

CREDITS

Directed by Andrew Morahan; screenplay by Paul Ohl, based on a story by Brad Mirman and William N. Panzer and characters created by Gregory Widen; director of photography, Steven Chivers; edited by Yves Langlois; music by J. Peter Robinson; production designers, Gilles Aird and Ben Morahan; produced by Claude Léger; released by Dimension Films.

Starring Christopher Lambert (Connor MacLeod), Mario Van Peebles (Kane), Deborah Kara Unger (Alex Johnson), Gabriel Kakon (John MacLeod), Martin Neufeld (Lt. John Stenn), Daniel Do (Dr. Fuji Takamura), Michael Jayston (Jack Donovan) and Mako (Nakano).


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