To everything, turn, turn, turn, there is a season… oh, sorry. It’s just Williamson has hit the end of this season of Nailbiter. He ends on an expository note, though there is at least the nod at a subplot about some kids going to the Nailbiter’s house on Halloween.
But everything else? The sheriff, the FBI guy, the serial killers? It all gets wrapped up in talking head scenes. The sheriff’s hospital room is a meeting spot for people looking to get their storylines finished. It’s not so much rushed as drawn out. Williamson could’ve structured it with one of the protagonists–like, maybe the FBI guy since it was originally his comic–but instead, he’s in a rush.
I think I’m done with Nailbiter. Williamson has never really gotten anywhere on the book and Henderson’s art hasn’t either. It’s a competent comic book, but they chased Hollywood to the point they lost anything special.