The Cold Light of Day is not just any lame action thriller set in Europe with an American leading man (okay, Henry Cavill isn’t American, but he’s playing an American). It is a distinguished lame action thriller. Not only does it contain one of the worst car chases ever put on film (or digital video), it also features what has to be Sigourney Weaver’s worst performance. And if it’s not actually her worst, it’s her most inept. For whatever reason, she tries to chew the scenery. She fails, miserably. Painfully.
It’s not like director El Mechri is any good at directing actors either; lead Henry Cavill and his sidekick, played by Verónica Echegui, aren’t good either. But Weaver is excruciatingly bad. She gets worse as the film progresses too, which–combined with the terrible pace, lousy direction and bad script–just makes the film more and more unbearable.
By the second half, with most of the reveals out of the way–El Mechri saves a misguided cameo for the finish–Cavill and Echegui get a little better. They’ve hit bottom, but they’ve survived the film.
In addition to the bad script (from Scott Wiper and John Petro) and El Mechri’s bad direction, there’s also bad photography from Remi Adefarasin, bad editing from Valerio Bonelli and bad music from Lucas Vidal. Not even Bruce Willis and Caroline Goodall (miscast as Cavill’s parents) escape with any dignity.
The best thing about Cold is its six minute end credits. The “action” stops sooner.
Directed by Mabrouk El Mechri; written by Scott Wiper and John Petro; director of photography, Remi Adefarasin; edited by Valerio Bonelli; music by Lucas Vidal; production designer, Benjamín Fernández; produced by Marc D. Evans and Trevor Macy; released by Summit Entertainment.
Starring Henry Cavill (Will), Verónica Echegui (Lucia), Bruce Willis (Martin), Caroline Goodall (Laurie), Rafi Gavron (Josh), Emma Hamilton (Dara), Joseph Mawle (Gorman), Michael Budd (Esmael), Roschdy Zem (Zahir) and Sigourney Weaver (Jean Carrack).