For the first few scenes, Alex North definitely composes The Passover Plot like a big Biblical epic of the fifties. It’s not, of course, and not just because Plot’s from the seventies. It’s cheap and director Campus uses that reduced budget interestingly. Maybe not well, but definitely interestingly. Actors get close-ups when they don’t need them, there aren’t any establishing shots for scene transitions (not right away anyway) and there’s no expository dialogue. The only frames of reference for the viewer are the opening and closing text scrawls. Plot feels like a low budget, subversive seventies movie, which is actually an exact description.
It just happens to be about Jesus.
Or Yeshua. I’m not sure if they went with Yeshua for accuracy or to be less controversial. Even though the film–with Plot right there in the title–is about how Yeshua (played by Zalman King) decides to fake his resurrection, he’s still really cares about people. It’s like if Jesus wasn’t magic and was just a good guy.
King’s effective, but not exactly good. There isn’t a lot of room to act in Plot, not with Campus’s strange choices regarding pacing and then there’s the script. It jumps all over the place and never gives the viewer a comfortable grounding.
Harry Andrews is a lot of fun, chewing away at the scenery, and Donald Pleasence is pretty good.
For what the filmmakers attempt, Plot’s a moderate success.
Except Adam Greenberg’s photography; he lights it too dark.
Directed by Michael Campus; screenplay by Millard Cohan and Patricia Louisianna Knop, inspired by the book by Hugh J. Schonfield; director of photography, Adam Greenberg; edited by Dov Hoenig; music by Alex North; produced by Wolf Schmidt; released by Atlas Film.
Starring Harry Andrews (Yohanan the Baptist), Hugh Griffith (Caiaphas), Zalman King (Yeshua), Donald Pleasence (Pontius Pilate), Scott Wilson (Judah), Daniel Ades (Andros), Michael Baseleon (Mattai), Lewis Van Bergen (Yoram), William Paul Burns (Shimon), Dan Hedaya (Yaocov), Helena Kallianiotes (Visionary Woman), Kevin O’Connor (Irijah), Robert Walker Jr. (Bar Talmi) and William Watson (Roman Captain).