Forza Bastia chronicles a day in Bastia (France). A Corsican island. It’s an important day because it’s April 26, 1978, when Bastia (the soccer team) played PSV Eindhoven. Bastia was an obscure team and the first leg (I had to learn soccer terms) was a tie at zero.
Jacques Tati shot Bastia at the time, but never finished editing it. His daughter, Sophie Tatischeff, came in and fixed it. The result is a very uneven, very long (twenty-seven minutes) collection of footage. If Tatischeff did carry through with Tati’s intent, then he intended Bastia to be boring and not insightful.
It’s about a big deal football match. Of course people are going to be acting weird. Nowhere in any of the footage does Tati (or does Tatischeff) find any moments of real human observation. It’s all obvious, even the quirky stuff.
Forza Bastia should’ve been shorter, would’ve been better.
Directed by Jacques Tati and Sophie Tatischeff; written by Tati; directors of photography, Yves Agostini, Henri Clairon and Alain Pillet; edited by Florence Bon and Tatischeff.