Everything is going swimmingly until the end. Sure, Ennis doesn’t write Frank’s threatening dialogue as well as he writes his narration, which continues to be sublime, but the plotting is phenomenal. Frank methodically goes up the food chain on the mob family, with Ennis showing the steps in Frank’s investigation.
Ennis also brings in some of the supporting cast. He uses them for humor–the poor, unlucky cop and his peers. It’s a good relief valve for the Punisher story. While Frank’s got a certain sense of humor, it tends to make things more tense.
The end, however, is a disaster. Ennis breaks the reality he’s creating for the comic, introducing a villain more appropriate for Preacher. At this point, the comic goes from being Garth Ennis writing Punisher to Ennis writing his “style” in a Punisher comic. Ennis even changes the way humor works for that ending.
Badaboom, Badabing; writer, Garth Ennis; penciller, Steve Dillon; inker, Jimmy Palmiotti; colorist, Chris Sotomayor; letterers, Richard Starkings and Wes Abbott; editors, Joe Quesada and Palmiotti; publisher, Marvel Comics.