The Field gets better this issue because Brisson turns up the craziness. He also gives Roy a great action sequence–the kidnapping Christian versus some elderly bikers. That action puts the comic on its own level, where something should be funny but it isn’t. There’s no humor in way Brisson writes the comic and Roy never pauses on a comic moment. So to describe the comic, it might sound like there’s humor… and there isn’t.
But Brisson also goes ahead and hints at the big reveal. There’s some kind of time travel going on; time travel or mass hysteria. The protagonist is starting to piece things together. Brisson reveals to him and the reader at the same time. It’s not the most original device but it’s an effective standard to employ.
The hard cliffhanger should be scary and funny, but isn’t. Instead, it just promises further inventiveness from the comic.
Writer and letterer, Ed Brisson; artist, Simon Roy; colorist, Simon Gough; publisher, Image Comics.
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