Wonder Woman: The Once and Future Story (August 1998)

Wonder Woman: The Once and Future StoryTrina Robbins does a rather good job hiding The Once and Future Story’s PSA status. It’s a perfectly good one too–Wonder Woman is translating some tablets and there’s spousal abuse in it and then Diana also discovers something similar going on with the archeologists she’s working with.

There are multiple interventions and the situation generically escalates, but the art–from Colleen Doran and Butch Guice–is really good, especially on the Greek historical stuff. Robbins could have easily done the comic without Wonder Woman, who’s basically around to be strong and awesome when need be. She’s got nothing else to do.

Oh, right–translate. She’s the translator.

It probably would have been more effective without the gimmick, with Wonder Woman actually intervening in less complicated situation. There’s nothing distinct about the present day stuff. None of it’s memorable. The past stuff, definitely. Not the present. It’s too bad.



Writer, Trina Robbins; penciller, Colleen Doran; inker, Butch Guice; colorist, Chris Chuckry; letterer, Gaspar Saladino; editors, L.A. Williams and Paul Kupperberg; publisher, DC Comics.

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