Captain America II: Death Too Soon, although it actually doesn’t have an onscreen subtitle, could just as well be called Captain America II: The Show No One Wants to See. I don’t even mean the eventual show (Death Too Soon is the second, Reb Brown-fronted CBS pilot), I mean this pilot movie, which retains executive producer Allan Balter and a lot of the crew from the initial attempt. It’s a complete wreck.
First example: Len Birman. Awesome co-star of the previous pilot movie. Given nothing to do outside some exposition, which he handles admirably. Except perving on Connie Sellecca, who does not give a good performance as a trouble-shooting super-scientist. She doesn’t. But she does start an actual subplot with her boss, Birman, sniffing her hair. It’s weird. What’s weirder is it doesn’t go anywhere. It doesn’t exactly get dropped, there just isn’t anymore character development for the characters. At first, I thought it was star Reb Brown sniffing her hair, but he’s actually got an entirely separate love interest.
Brown, or Captain America, is in love with his painting. Writers Wilton Schiller and Patricia Payne can’t stop having people talk about Brown and his stupid painting. He paints portraits of old people, cats, women on horses. He just loves painting. And maybe he should, but Death Too Soon doesn’t develop Brown’s protagonist either. Instead, it runs him around in a dumb costume for desperate action sequences. There’s obviously some significant spending on this second attempt, but Balter doesn’t use it well. It’s too cheap on the character stuff, too focused on motorcycle stunts and awful fight scenes; Death Too Soon amps up the previous pilot’s “Wonder Wonder”-wannabe syndrome. Everything good in the previous pilot gets flushed for everything bad in it.
There’s one good segment in Death Too Soon. Otherwise, director Nagy alternates between atrocious and incompetent. He’s never even pedestrian. It’s a poorly directed pilot. Except one chase sequence where Captain America’s motorcycling on a dam. It doesn’t even end well. But it’s really well done before it goes bad. It’s incredibly out of place.
Christopher Lee and Stanley Kamel play the villains, along with Lana Wood (who’s awful). Lee and Kamel are fun together, with Lee turning in a mostly awesome performance. He doesn’t class it up though, he just excels in his own role. It’s kind of cool, actually. He protects his brand.
Okay supporting turn from Katherine Justice as Brown’s human love interest. John Waldron’s obnoxious as her kid though. And Ken Swofford’s awful as a government stooge.
Death Too Soon also has this really weird “pro-gadget, anti-science” thing going on, which should–combined with being a failed “‘Wonder Woman’ for boys” TV pilot, Lee, Brown’s desperately lighted blond hair, experimenting on babies, Birman’s perving, Justice’s too tight jeans–make it a lot of bad camp fun. But it doesn’t, instead it’s just awful. It’s a poorly produced television pilot. It fails.
Except the dam. And, at some point in the production, someone did come up with some all right ideas. Mostly involving Lee’s character. Nagy just couldn’t execute any of them.
Directed by Ivan Nagy; teleplay by Wilton Schiller and Patricia Payne, based on characters created by Jack Kirby and Joe Simon; director of photography, Vincent A. Martinelli; edited by Michael S. Murphy; music by Mike Post and Pete Carpenter; executive producer, Allan Balter; aired by the Columbia Broadcasting System.
Starring Reb Brown (Captain America / Steve Rogers), Katherine Justice (Helen Moore), John Waldron (Peter Moore), Christopher Lee (Miguel), Stanley Kamel (Kramer), Connie Sellecca (Dr. Wendy Day), Len Birman (Dr. Simon Mills), Ken Swofford (Everett Bliss), Christopher Cary (Professor Ian Ilson), William Lucking (Stader) and Lana Wood (Yolanda).