Fraction's doing less of an arc than a window into Mike–as in the new Satellite Sam–and his descent into obsession. It's funny, but I think Fraction's still trying to get keep the character as likable as possible. He's just over his head, trying to relieve his father's photography fetish.
There are the subplots going too, of course. There's a great one with the disgraced writer on his way out and then the troubles of a new show going on. Not to mention a flashback to the original Satellite Sam and how he conducted himself, drafting a girl Friday who tracks down Mike for something here.
The comic opens with the series's most explicit moment (so far). Chaykin choreographs it perfectly. There's some great stuff from long distance profile later one too. I love how Chaykin makes the comic about classic TV feel like classic TV with panel composition.
Exposure; writer, Matt Fraction; artist, Howard Chaykin; letterer, Ken Bruzenak; editor, Thomas K.; publisher, Image Comics.