I may come to regret this statement, but Satellite Sam really is the bee’s knees. It’s serious, thoughtful, never silly. Fraction doesn’t mess around with it. Every scene is beautifully plotted–who knew Howie Chaykin had this kind of work left in him–and perfectly reasoned. It’s not just a consistently good read, it’s a consistently exceptional read.
This issue might be the series’s best so far. Fraction isn’t continuing the investigation into the old Satellite Sam’s photography habits, he’s starting up a bunch of new story lines (while still continuing directly from the previous issue). It’s comics as TV, with a new season starting here and Fraction and Chaykin deliver the goods.
The issue is full of loud and quiet moments, which is why it needs Chaykin. It needs someone who knows how to make those moments work in a sequential narrative.
It’s relatively uneventful; a muted, outstanding success.
Women in Trouble; writer, Matt Fraction; artist, Howard Chaykin; letterer, Ken Bruzenak; editor, Thomas K.; publisher, Image Comics.
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