As finishes go, Lono doesn’t have a bad one. It’s not great. It’s good enough. Azzarello seems to be showing a lot of restraint, like he didn’t want to do too for a finish. Like he didn’t want turn make Lono into too much of an action hero.
Instead, Azzarello focuses on the bad guy. He’s comical at this point, just because no one’s scared of him anymore and he’s got the whole twin aquarium thing going on. It’s humor. Very, very black humor, but still humor.
But the story isn’t a humorous one. The stuff with the priest and the nun isn’t funny at all. The issue doesn’t have a tone. Azzarello doesn’t commit to any of the ones he toys with.
It’s a shame Azzarello couldn’t maintain the level of intricate plotting he had at the beginning of the series. Like I said, though, the issue’s not bad.
¡El Perro Loco!; writer, Brian Azzarello; artist, Eduardo Risso; colorist, Trish Mulvihill; letterer, Clem Robins; editors, Gregory Lockard and Will Dennis; publisher, Vertigo.