It’s very hard not to think William Messner-Loebs is just cashing a paycheck with Indiana Jones and the Fate of Atlantis. There are some incredible logic holes. First and foremost, Messner-Loebs can’t write Indy’s interaction with the female sidekick. Or, more accurately, her interaction with him. He severely damages her business and reputation and she just forgives him because he’s cute.
Except, the way Dan Barry draws Indy, he’s not cute. He’s got a long face, a funny nose and odd hair. I can understand not doing photorealistic renderings of Harrison Ford, but at least match what people think when they think of the character.
The story itself, based on a video game, is a little weak. Messner-Loebs is in a hurry and Barry doesn’t layout the pages very well. There’s not natural progression to the comic.
Uninspired, even for licensed material, might be the best description.
Writers, Dan Barry and William Messner-Loebs; penciller, Barry; inker, Karl Kesel; colorist, Lurene Haines; letterer, Gail Beckett; editors, Diana Schutz and Mike Richardson; publisher, Dark Horse Comics.