Moench neatly ties everything together–including Bruce setting up Nocturna for an unnecessary fall–and it’s hard to remember why any of the threads are important at all. They weren’t important to the characters, except Nocturna (and maybe Alfred); Moench’s frantic pace keeps the issue engaging but it’s not fulfilling in any way.
Then there’s the matter of the art. Hoberg’s back and he’s better than the previous issue but he’s far from good. It’s a strange situation–does the story deserve better art… would it read better with better art or has Moench exhausted the comic too much.
It’s hard to say for sure at this point–Hoberg’s only done two issues and Moench is finishing up a somewhat lengthy arc–but all hints are to the latter. Moench’s melodramatic antics just obscure his lack of ideas for the characters to develop.
Batman’s getting to be a tedious bore.
Darkly Moved the Pawns; writer, Doug Moench; penciller, Rick Hoberg; inker, Alfredo Alcala; colorist, Adrienne Roy; letterer, Ben Oda; editor, Len Wein; publisher, DC Comics.