There are two immediate peculiar things about The Sting. The opening credits introduce the cast with scenes from the film, so one watches the picture waiting for a particular actor to come up. While it might have been done to get Paul Newman’s face onscreen sooner (he takes about fifteen minutes or more to appear), it also encourages the viewer not to get too involved with the picture. To remember it’s just a movie.
Second is the sections having title cards. It too breaks the viewer from the film’s internal reality for a few moments. Very interesting choices.
The reality of the film is startling. Director Hill and cinematographer Robert Surtees magically recreate thirties Chicago. And they know it. The shot zooming out from Dimitra Arliss’s bedroom window to the apartment across the street? They knew they were doing something fantastic. It’s the showiest shot in the film but it fits perfectly with the tone. But technically, it’s astoundingly good.
There are some great twists, all throughout, but the performances of David S. Ward’s character moments are why the film exceeds. Robert Redford’s desperate, touching, exasperated and wonderful. Newman’s a great sidekick (even if he is top-billed). Robert Shaw’s amazing.
Other outstanding performances are Arliss, Charles Durning, Ray Walston… and everyone else. Eileen Brennan’s sort of barely in it, but her presence is felt throughout.
The Sting moves fast–Hill only slows down just before the finale; he never lets it get frantic.
The Sting’s a masterpiece… simply magnificent.
Directed by George Roy Hill; written by David S. Ward; director of photography, Robert Surtees; edited by William Reynolds; produced by Tony Bill, Michael Phillips and Julia Phillips; released by Universal Pictures.
Starring Paul Newman (Henry Gondorff), Robert Redford (Johnny Hooker), Robert Shaw (Doyle Lonnegan), Charles Durning (Lt. Wm. Snyder), Ray Walston (J.J. Singleton), Eileen Brennan (Billie), Harold Gould (Kid Twist), John Heffernan (Eddie Niles), Dana Elcar (F.B.I. Agent Polk), Jack Kehoe (Erie Kid), Dimitra Arliss (Loretta), Robert Earl Jones (Luther Coleman), James Sloyan (Mottola) and Charles Dierkop (Floyd the bodyguard).